Screenprint

'Only Banksy' was the title of a 24-lot offering at Forum Auctions (30/24/15% buyer’s premium inc VAT) in London.

Works by Mr Brainwash (b.1966) are becoming an increasingly common sight at auction.

A group of eight Andy Warhol (1928-87) prints came to auction at Van Ham (32% buyer’s premium including VAT) in Cologne at the end of last year, including a few of his most famous subjects from documented editions of the 1960-80s.

The term ‘pop art’ normally conjures up images of colourful and ‘hip’ artworks from the 1950s-60s.

Multiple editions by the pop art pioneer mean many works are available for under £1000

Two Banksy prints donated to charity set high prices for their respective individual editions at a Bristol auction.

Famous for the sort of graffiti that morphs into street art and critical acclaim, Banksy is now bringing in big money in the form of screenprints

A number of Banksy’s earlier prints from the early 2000s feature the subject of a rat.

Bonhams (27.5/25/20/14.5% buyer’s premium) has been offering works by Banksy for some time now in a number of different sale types including Contemporary art auctions and specialist print offerings.

Among the Banksy works sold outside London recently was a screenprint of Trolleys that made £40,000 at Tennants’ (20% buyer’s premium) of Leyburn in North Yorkshire.

The live webcast auction of Urban and Contemporary art held by Tate Ward (25% buyer’s premium) on March 24 proved well timed, coming just a day after Christie’s sold Banksy’s 'Game Changer' for £14.4m.

This image of children swinging along a watch tower was part of Banksy’s ‘Walled Off’ project that relates to the West Bank barrier between Israel and the Palestinian Authority.

A print by street artist Banksy (b.1974) called Morons, depicting an art auction featuring the former Christie’s boss Charles Hindlip, has been sold by a member of his family.

Interest from overseas bidders appears to be lifting the market for Banksy (b.1974) prints to a higher level.

Welsh artist Clive Hicks-Jenkins’ recent series of screen-prints are a fitting subject for a January exhibition.