Cheffins

The festive season is upon us. And as art market tradition dictates, this means a generous helping of Old Masters.

For the first time in a decade, Sotheby’s Asian Art in London offering included a designated sale of Japanese art on November 6.

Catalogued as a ‘travelling ensemble’ these two oak fitted cases of silver tableware, below, conjure up images of lavish inter-war era picnics.

Dr Anne Shannon would no doubt have admired these three pieces of turn of the century jewellery sold at UK regional salerooms in recent weeks.

Three modestly valued works selling at regional sales below £6500 and three upcoming lots offered over the next fortnight, including a painting of Margate by George-William Thornley.

A portrait of a young Stuart woman, below, attributed to the Hungarian painter Johannes Priwitzer (fl.1626-35), topped the picture section in a two-day sale at Cheffins (22.5% buyer’s premium) of Cambridge.

Two early examples of Indo- Portuguese furniture sold for five-figure sums at auction this month.

Real rarities and record breakers are among items that feature in this first of a couple of reviews of more literary lots from the wealth of summer sales. Here the focus is principally on works of the last 200 years or so – and includes such diverse characters as Hugh the Heron and the Invisible Man.

Two albums of 19th century watercolours and drawings produced unexpected results in summer sales.

Pairs of Georgian candlesticks by the best-known London specialist makers such as William Cafe and Ebenezer Coker continue to sell well enough, as long as condition is acceptable.

It was the last flickerings of the dynasty which took salvage from the demolition site and put it back into the drawing room.

Bids of £100 and upwards bought bidders a history of the English hearth and home among the Crowther lots at Cheffins on June 13-14, where 80% of the lower-priced items went to private buyers.

British watercolours depicting the beautiful county of Devon and painted during the medium’s golden age drew eager bidding at Cheffins of Cambridge (22.5% buyer’s premium).

The latest batch of period portraits to pass through Cheffins featured several from a late-16th century property in Great Chesterford, Essex. Passed by descent, the quartet was led by an attractive English School portrait of Queen Mary I (1516-58), an oil painted on an oval 2ft x 21in (62 x 53cm) canvas.

No two jobs are the same for the art shippers offering a bespoke service at the top end.

Three modestly valued works in regional sales, including an oil on canvas of Bude in Cornwall by Charles Collins (1851-1921).