Impressionist and Modern Art

Maurits Cornelis Escher (1898-1972) arrived on the Amalfi Coast in 1923 and ultimately created more than 100 works there based on the landscape.

A group of Modern and Impressionist pictures provided a significant boost to the latest Art & Design post 1880 sale held at Duke’s (25% buyer’s premium).

An ancient Egyptian sculptural fragment was the most eagerly contested lot in Thomaston Place Auction Galleries’ (20% buyer’s premium) Autumn Majestic sale on November 10-12.

A good crop of top-end Impressionist and Modern pictures lifted the latest flagship series of auctions in New York.

Maud Lewis (1901-70) is hailed today as one of Canada’s greatest folk artists, with her works regularly bringing tremendous results at auction.

Sotheby’s (26/20/13.9% buyer’s premium plus 1% overhead premium) staged three Impressionist, Modern and Contemporary auctions in Paris during the second half of October.

Two of the highest prices at auction in the last 20 years for Dame Ethel Walker (1861-1951) came at Roseberys’ (26% buyer’s premium) latest Modern British & 20th Century Art sale.

A raft of Modern and Contemporary art auctions were held in Paris in the second half of October coinciding with the Paris + par Art Basel fair held at the Grand Palais Ephemère.

The most contested lot in Bonhams’ October 19 Expressionism: Germany, Austria and Beyond sale was a self-portrait by the German painter Hermann Lismann (1878-1943).

Konrad Klapheck, who died at the end of July aged 88, was a pioneer of German pop art and is credited with the invention of so-called Machine Paintings.

The career of the French artist Pierre Soulages spanned over 80 years. He died in 2022 at the age of 102.

A textbook 1900 oil by the French Impressionist Henry Moret (1856-1913) led the field at Clars (26% buyer’s premium) in Oakland, California, on September 14.

The latest Frieze week auctions in London generated a markedly lower total than the equivalent series last year.

Grosvenor Gallery, dedicated to European art when it was founded in 1960, made a serious commitment to Indian art in 2006 when it opened an outpost in New Delhi.

A strong dealer-client relationship forms the backbone of the major Picasso exhibition at Ward Moretti this autumn.

This painting by Goan artist Francis Newton Souza (1924-2002) is part of dealer Rob Dean’s exhibition of views of India from the 18th century to the present day.

This year’s Frieze Masters could be the high-water mark for the representation of women at historic art fairs