Metalware

By repute this 15oz silver chamber stick and snuffer with glass hurricane shade was a gift from Queen Victoria to her personal attendant and favourite John Brown (1826-83).

A round-up of current catalogues from folk-art at the rescheduled Winter Show to the Mellor-Cobham collection of English porcelain at Albert Amor

Found in a wardrobe during the clearance of a deceased estate in Spalding, ‘a group of four early 19th century French heraldic plaques’ sold way over hopes at Stamford Auction Rooms in Lincolnshire on February 26.

This cloisonné and plique à jour enamel silver presentation tankard will be one of the highlights of the Gilded Age auction at Freeman’s in Philadelphia on February 24.

London auction offers fascinating bronzes from a little-appreciated collecting field.

This exceptional Ilkhanid gold and silver-inlaid brass candlestick has become the most expensive Islamic metalwork sold at auction.

Christopher Dresser (1834-1904) designed two electroplated claret or water jugs for Elkington & Co of Birmingham in 1885 – both of them daring designs inspired by vessels from antiquity.

Aided by strong American bidding action, the collection of Andrew Crawforth, the late Portobello Road trader and leading authority on early metalware, turned base metal into gold when all 431 lots – offered wihtout reserve – sold at Bonhams’ (27.5% buyer’s premium) Edinburgh sale.

Estimated at £400-600, this 7in (17cm) high Chinese export silver dragon handled tankard sold for a much higher sum.

With the unusual provenance of having been dug out of a London sewer during excavations in 1930, the 15th or early 16th century copper alloy candlestick shown here underlined the truth of the maxim that where there’s muck there’s brass.

Despite a disappointing selling rate, dealer’s collection included notable results

A group of Ethiopian works of art believed to have been taken during the Battle of Maqdala in 1868 has been withdrawn from a Dorset auction after the Embassy of Ethiopia intervened.

Sixteenth century Limoges work depicts underworld scene from Virgil’s The Aeneid

Shown here are two highlights from sales of Islamic & Indian art held by London salerooms recently.

John Douglas’ interest in antique base metalware started over 60 years ago.

The name ‘peg tankard’ comes from the vertical row of pegs inside that can be used to measure the amount of alcohol drunk as it was passed around a table.

This late Victorian carved lime and soft wood panel is by James Peake (c.1839-1918), a carver and gilder.

A tankard said to be made from the hide of Oliver Cromwell’s warhorse was the toast of an auction in Dorchester.

The Cluny Museum in Paris, dedicated to works of art from the Middle Ages, pre-empted two items in a Pierre Bergé & Associes sale of Haute Epoque in Paris.