Metalware

Estimated at £400-600, this 7in (17cm) high Chinese export silver dragon handled tankard sold for a much higher sum.

With the unusual provenance of having been dug out of a London sewer during excavations in 1930, the 15th or early 16th century copper alloy candlestick shown here underlined the truth of the maxim that where there’s muck there’s brass.

Despite a disappointing selling rate, dealer’s collection included notable results

A group of Ethiopian works of art believed to have been taken during the Battle of Maqdala in 1868 has been withdrawn from a Dorset auction after the Embassy of Ethiopia intervened.

Sixteenth century Limoges work depicts underworld scene from Virgil’s The Aeneid

Shown here are two highlights from sales of Islamic & Indian art held by London salerooms recently.

John Douglas’ interest in antique base metalware started over 60 years ago.

The name ‘peg tankard’ comes from the vertical row of pegs inside that can be used to measure the amount of alcohol drunk as it was passed around a table.

This late Victorian carved lime and soft wood panel is by James Peake (c.1839-1918), a carver and gilder.

A tankard said to be made from the hide of Oliver Cromwell’s warhorse was the toast of an auction in Dorchester.

The Cluny Museum in Paris, dedicated to works of art from the Middle Ages, pre-empted two items in a Pierre Bergé & Associes sale of Haute Epoque in Paris.

Despite lockdown restrictions Bonhams' traditional Oak Interior offerings performed very well

In an act of decidedly upmarket upcycling, dealer Simon Wingett of Burton Antiques and his business partner have commissioned a series of casts of a George II wine cistern to be made from scrap.

Pictured here are three quite different brass fireside fenders – all of them eagerly contested at autumn sales.

Made from paktong, a zinc, copper and nickel (or similar) alloy resembling silver, this c.1780 English travelling chalice, or cup, is modelled on drinking glasses of the period.

Silver by major names from the early to late years of last century were major eyecatchers at the Lacy Scott & Knight (20% buyer’s premium) 20th Century Design Sale in Bury St Edmunds.

From the house clearance of a deceased estate, a small collection of Arts & Crafts metalwork triggered an estimate-demolishing response from dealers and collectors at Fieldings (20% buyer’s premium).

Despite – or because of – the imminent prohibition, good-quality antique ivory works of art continue to bring solid prices at auction.