Fine Art

This summer was something of a feast when it came to the Modern British art auctions in London.

A small group of highly personal works by Henry Lamb (1883-1960) provided an intriguing insight into his life and work at the Modern British art sales at Bonhams this summer.

Rediscovered sculpted portrait heads a special report covering recent lots linked to the man who became emperor, dedicated to both his triumphs and defeats

James Brett of The Gallery of Everything cultivates an attitude that selling for its own sake is less important than putting on a rattling good show.

Between reserving various pieces to museums, Guy Peppiatt was pleased to sell a large watercolour of Yorkshire by Peter de Wint (1748- 1849) during the latest London Art Week (LAW).

A combination of artist, sitter, date and quality ensured a compelling Newlyn school portrait caught the eye at David Lay’s latest auction in Penzance.

I was thrilled to see the portrait of Lady Northcliffe by Philip de László (1869-1937) featured in your publication (Art Market, ATG No 2552).

Ben Rogers Jones was a happy man after the latest Welsh Sale at Rogers Jones (24/15% buyer’s premium) in Cardiff.

Cotswolds fair provides a summer treat while Chester makes an autumn comeback

With reference to the rediscovery of the painting In a Ligurian Garden by British Impressionist Henry Herbert La Thangue (News, ATG No 2553), I thought your readers may interested to know where it would have hung when it was purchased by textile tycoon Prince Smith.

Works by Sir Kyffin Williams (1918-2006) generated a combined £221,640 at Rogers Jones’ latest Welsh Sale.

Can an original frame make all the difference to price? A recent Surrey auction provided an interesting test.

Overseas interest in tribal art and Doulton Lambeth wares fuelled the higher prices at Cuttlestones’ (20% buyer’s premium) Penkridge sale but it was a new outbreak of cardomania which raised temperatures of collectors across England.