Fine Art

Newcastle-upon-Tyne saleroom Anderson & Garland has received a group of works by current market favourite Cedric Morris (1889-1982) which it will offer for sale early next year. The oil 'Spanish Basket of Vegetable No.1 1961', as indicated by labels to the reverse, was exhibited at the Tate’s Morris exhibition in March-May 1984.

Morris record takes the headlines but his pupil is also in demand at same sale.

The year after Cedric Morris painted his verdant Foxgloves in 1932, a severe drought cut through much of southern Britain. The parched soil and the hardship it brought were a source of artistic inspiration for those who painted the form and the character of the rural landscape.

Three modestly valued works selling at regional sales including a Stanley Spencer sketch.

The Lyon & Turnbull Modern Made sale in London on November 14 includes an archive of material relating to Porthia Prints, the company established by St Ives artist Denis Mitchell and his brother in the 1950s.

The Carrousel du Louvre will be the setting for the 'Fine Arts Paris' fair which opens to the public next week with a five-day run from November 13-17.

A 1940s view of Swansea described as ‘historically important’ by the auction house which sold it featured among some good results for 20th century Welsh art in the regions.

Simple still-life of flowers showcases the Mod Brit artist’s love of colour and luminosity

London art dealer Philip Mould was the successful bidder for three works by Cedric Morris (1889-1982) sold in Essex last week. One set a new auction record for the artist plantsman.

The German artist Franz von Stuck is generally associated with portraits of sultry, mystical fin-de-siècle women, laden with symbolism.

One of the highlights at Lempertz in Cologne on November 15 is a set of nine late-18th century scagliola panels.

Coming up for sale at Swann Galleries in New York on December 10 is an original, initialled ink and wash drawing by EH Shepard for a lesser-known work by Kenneth Grahame, Bertie’s Escapade, that was published by Lippincott in the US in 1949.

In 1953, British artist William Scott (1913- 89) made his first inroads into the New York art scene. James Johnson Sweeney, director of the Guggenheim, went to an exhibition of his work in London and reported to gallerist Martha Jackson: “At last England has a painter.”

Dominating a grand lecture hall of one of France’s oldest universities is a classical fresco of the god Apollo and the Muses on Parnasses, created at the turn of the 20th century by French artist Pascal Dagnan-Bouveret (1852-1929).

Gentileschi and Corot works headline Old Master and 19th century auction at Artcurial.

Three modestly valued works selling at regional sales for under £3000 including an unusual Peter Blake work printed on tin.

Shown below is one of the 96 woodcuts produced by Michel Wohlgemuth and Wilhelm Playdenworff for the 1491 edition of Stephan Fridolin’s 'Der Schatzbehalter oder schrein der waren reichtümer des heils unnd ewyger seligkeit' issued by Anton Koberger of Nürnberg.

The history of the motif which inspired an unknown Italian master of the second half of the 18th century can be traced back to the 2nd century BC.