Japanese Works of Art

The 195-lot collection of mask netsuke amassed by Swiss entrepreneur Peter Müller met with mixed success when offered by Matthew Barton (24% buyer’s premium).

Results for Kakiemon and Meiji metalwork underline stronger market for Asia’s ‘second tier’

With Bonhams the only one of the ‘big three’ in this market, other salerooms carve out a role...

Widely exported during the Meiji period to a Western market newly awake to the skills of Japanese craftsmen, okimono now often appear at provincial salerooms.

Here we ask the dealers who participated in ATG's Round Table discussion the reasons why they choose to stand at the fair and ask them to pick out a star item they are taking this year.

Mallams will sell a significant Dutch collection of Japanese swords and armour as part of this week’s auction of Chinese, Japanese, Indian and Islamic Art in Cheltenham on October 25-26.

This Japanese bronze okimono of turtles – symbolic of longevity and good luck – belonged to the empress Shōken (1849-1914), the consort of the emperor Meiji who ruled Japan from 1868-1912.

The collection of Japanese and Chinese works of art at Eaton Neston near Towcester was formed largely by Thomas George Fermor-Hesketh (1849-1924).

The slow, but observable, return of competition for fine Japanese works of art was evident at Hannam’s (20% buyer’s premium) of Selborne on August 23 in the form of this large Meiji ivory scholar’s table screen, below.

One of the earliest examples of the lucrative tartan tourism, which dates back to George IV’s visit to Edinburgh in 1822 and was turbo-charged by Queen Victoria’s love of the Highlands, were the sycamore boxes and trinkets made in small factories in the little Ayrshire town of Mauchline.

The centrepiece of Bonhams’ Japanese offering on May 11 was the second part of the extraordinary collection of netsuke formed by US concert pianist Julius Katchen (1926-69) and his wife Arlette.

Numerous bidders competed for a5½in (14cm) high Japanese incense burner from the Meiji period (1868-1912) at a sale held by Hargesheimer (25% buyer’s premium) in Dusseldorf on March 10-11.

This Japanese rice paper drawing was among a number of lots to draw strong bidding at Dreweatts and Bloomsbury’s (24% buyer’s premium) offering of the Jan Krugier collection.

As evidenced by prices recently recorded on these pages for Meiji and earlier material, collectors and dealers have been ahead of the City analysts currently looking at the revival of the Japanese stock exchange.