Decorative Art

It was during the Carter, Stabler and Adams period in the 1920s-30s that some of the most memorable Poole wares were produced. Much of this Art Deco range – red earthenwares covered in a white slip and a semi-matt-glaze before decoration in a variety of Jazz Age patterns – was based on the work of chief designer Truda Carter.

This 14in (35cm) earthenware ‘face’ charger made by Madoura to a design by Pablo Picasso carries an estimate of $2000-3000 at Neely Auction in Lantana, Florida, on February 16.

The two-day sale at Case Antiques of Knoxville, Tennessee, on January 25-26 includes a number of Liverpool creamware jugs depicting a range of subject matter.

On January 30, Millea Bros of Boonton, New Jersey, will offer more than 400 lots of English and American furniture and decorative arts from the estate of Elizabeth ‘Betty’ Seeler (1926-2018).

This 13in (32cm) Royal Worcester ewer decorated with owls by Charles Baldwyn (1859-1913) carries an estimate of $950-1050 at Broward Auction Gallery in Dania Beach, Florida.

The Homes & Interiors sale at Bonhams Los Angeles on February 3 includes this Sèvres flower vase or Cuvette à Fleurs Courteille, measuring 10¼in (26cm) wide, estimated at $4000-6000.

Thousands of items are available to buy from dealers online. Here we pick out one that caught our eye this week.

A collection of Irish glass built in the 1930s by artist Jean (Musgrave) Jameson was topped by a pair of c.1800 flat-cut urns and covers Adam’s (23% buyer’s premium) of Dublin.

A pair of George III sauce tureens by Daniel Smith and Robert Sharp was among the early sales on the opening day of The Mayfair Antiques & Fine Art Fair.

This pair of 19th century electroplated cups, offered by Andrew Smith & Son (21% buyer’s premium) in Alresford on December 11, is stamped for the noted Sydney silversmith Evan Jones (1846-1917).

It took just one sale to disperse a collection of pre-civil war silver painstakingly amassed in just over a quarter of a century at the rate of one piece a year.

Edwardian silver table bells modelled as tortoises are not too hard to find but silver pigs are a much rarer beast. Accordingly, it was surprising to see two appear on two successive days at winter sales.

Originally medieval drinking vessels, wassail bowls became highly decorative status symbols by the 19th century as this large silver-mounted walnut example shows.

The sale at Cheffins (22.5% buyer’s premium) in Cambridge on December 12 included a cache of Victorian and earlier silver from the collection of Delaval Astley, 23rd Baron Hastings (b.1960).

The Design sale at Christie’s New York (25/20% buyer’s premium) on December 13 included the return to the auction room of one of the famous series of electroplated teapots made by James Dixon & Sons, Sheffield, c.1879, to designs by Christopher Dresser.

The sale at Kingham & Orme (20% buyer’s premium) in Evesham on December 6-7 included the second instalment of the remarkable Shennan collection of silver mustard pots, this time featuring examples made in the reigns of George IV to Victoria (1821-1901).

Pin cushions have their own niche market in the novelty silver field. Nineteen Edwardian examples were offered at a sale at Woolley & Wallis (25% buyer’s premium) in Salisbury last year.

In late January, New York hosts a clutch of high-calibre dealer events coinciding with the major auctions.

Although turned down at the time by the British Museum, a 2nd century vase with Bacchic ornament found by Gavin Hamilton near Hadrian’s villa in Tivoli c.1771 proved a sensation with 18th century connoisseurs.

An atypical visitor to a recent sale at Canterbury Auction Galleries (24% buyer’s premium) was a Norwegian silver gilt brudekrone dating from the late 18th or early 19th century.