Colnaghi

International gallery Colnaghi has formed a partnership with fledgling drawings dealer Will Elliott to launch Colnaghi Elliott Master Drawings.

Large firms have found it far easier to continue moving goods in the face of Brexit regulations.

Old Masters dealership Colnaghi is collaborating with Direzione regionale Musei Veneto and Venetian Heritage on an exhibition of Renaissance sculptures to coincide with the 59th Venice Biennale.

A rediscovered still-life by mannerist artist Fede Galizia (1578-1630) is among the highlights at Colnaghi’s exhibition 'Forbidden Fruit: Female Still Life'.

A recently rediscovered life-size terracotta bust of San Lorenzo, c.1440, by early Renaissance sculptor Donatello stars at Colnaghi’s exhibition.

As Christmas beckons it seems only appropriate that Old Masters are among the leading works at the latest winter edition of London Art Week (LAW).

Online version of the huge fair takes place for a second time with physical event not until 2022

Showcase of viceregal works produced by local artists under Spanish colonisation

Colnaghi has appointed Lily D Snyder as managing director of Modern and Contemporary art in North America, a newly created position at the long-running gallery.

Titled 'Tossa de Mar' (c.1908), this painting by the Spanish Impressionist Laureano Barrau (1863-1957) forms part of an exhibition at London gallery Colnaghi putting some of Spain’s lesser-known modern masters in the limelight.

Dating to the second quarter of the 16th century, this stained-glass moon comes from northern France and is offered now by St James’s dealership Colnaghi.

Old Master dealers Jorge Coll and Nicolas Cortés are to restructure their business from January next year to focus on different regions.

Among the London art dealers who are off to Florence for the 30th edition of the city’s Biennale this month is Colnaghi. ATG canvassed the opinion of the firm’s CEO, Jorge Coll.

Dealer Colnaghi is launching a foundation to bring Old Master paintings to a “21st century audience”.

A previously unknown work by Bartolomeo Cavarozzi (1587-1625) was snapped up within minutes of the opening of TEFAF in Maastricht.