International

Two books from Herman Melville’s library, both volumes of classical poetry that were annotated throughout and in one instance signed, topped a recent New York sale.

This sculptural white porcelain group of Ganymede and the Eagle is a rare survivor from the St James’s factory run by Charles Gouyn in London c.1749-60.

The German artist Franz von Stuck is generally associated with portraits of sultry, mystical fin-de-siècle women, laden with symbolism.

Parsonage Museum ‘determined to make the most of second opportunity’ to own miniature manuscript

It was a visit to the Palazzo Ducale in Urbino with his parents that first whetted the 15-year-old Thomas Vroom’s appetite for perspective.

One of the highlights at Lempertz in Cologne on November 15 is a set of nine late-18th century scagliola panels.

Jewellery designer Angela Cummings started a long career at Tiffany & Co aged 23, and eight years later, in 1975, created her first full collection under her own name.

From November 26-28 Christie’s Paris will disperse part of the family library of the Comtesse Martine de Béhague (1869-1939) and Hubert de Ganay (1888-1974).

Coming up for sale at Swann Galleries in New York on December 10 is an original, initialled ink and wash drawing by EH Shepard for a lesser-known work by Kenneth Grahame, Bertie’s Escapade, that was published by Lippincott in the US in 1949.

Among the antique European rarities that are included in Milestone’s November 2 autumn firearms sale in Willoughby, Ohio, will be this 1733 French dragoon flintlock pistol of large size with a 12-inch barrel in .70 bore.

Copy No 74 of the 100 signed, first issue copies of James Joyce’s 'Ulysses' is estimated at $120,000-180,000 in November 5 sale being held by Hindman of Chicago.

With the title and 26 plates tipped onto brown paper leaves, a large ‘library edition’ copy of William Nicholson’s famous Alphabet, published by Heinemann in 1898, is estimated at $800-1200 in a November 7 sale at PBA Galleries of San Francisco.

In 1953, British artist William Scott (1913- 89) made his first inroads into the New York art scene. James Johnson Sweeney, director of the Guggenheim, went to an exhibition of his work in London and reported to gallerist Martha Jackson: “At last England has a painter.”

Gentileschi and Corot works headline Old Master and 19th century auction at Artcurial.

Shown below is one of the 96 woodcuts produced by Michel Wohlgemuth and Wilhelm Playdenworff for the 1491 edition of Stephan Fridolin’s 'Der Schatzbehalter oder schrein der waren reichtümer des heils unnd ewyger seligkeit' issued by Anton Koberger of Nürnberg.