Vase

Amphora was the name given to the distinctive Continental pottery produced between the last decade of the 19th and the first of the 20th century in the central European Turn-Teplitz area of Bohemia by the RSt&K (Riessner Stellmaker and Kessel) factory.

Weschlers’ Capital Collections auction takes place in Rockville, Maryland, on December 11.

London studio pottery specialist Maak achieved a record £200,000 (plus 20% buyer’s premium) for this vessel by Madgalene Odundo (b.1950).

Art Nouveau-era art pottery from the collection of Jason Jacques, the well-known specialist dealer in this field, will be offered on December 9.

Items designed by Josef Hoffmann, leading light of the Wiener Werkstӓtte movement, will feature in a sale in Vienna.

Before he started producing his own ceramics in the late 1880s in Paris, at the age of 45, Adrien Dalpayrat had worked as a faïence painter in numerous other factories.

The most desirable of the varied wares produced by the small ceramics factory established by Vilmos Zsolnay (1828-1900) in the south-west Hungarian town of Pecs are those created after the 1890s.

Two pieces of Moorcroft Pomegranate pattern made exceptional sums within a matter of 24 hours at the end of September. Both were early versions of the popular pattern and dated 1912 – the year William Moorcroft left his studio at James Macintyre to run his own factory in Cobridge.

This large 16in (40cm) high baluster faience vase, sold by Hansons (25% buyer’s premium) in Teddington, is by ‘father of art pottery movement’ Joseph-Théodore Deck (1823-91).

It was a visit to the Metropolitan Museum of Art sometime in the 1880s that inspired Louis Comfort Tiffany to produce his so-called Cypriote range of art glass.

Overseas interest fuelled bidding for two of the foreign offerings at Bellmans’ (22% buyer’s premium) Interiors sale in Winchester on February 12.

One of the highest prices of 2019 achieved by French auction house Beaussant Lefèvre (27% buyer’s premium inc VAT) was the €310,000 (£262,710) paid for this impressively tall 4ft 1in (1.25m) high pair of gilt bronze mounted, footed and covered vases.

Although outwardly simple objects, cedar ‘bent corner’ chests, still made today by the indigenous people of the Pacific North West, employ a number of sophisticated woodworking techniques.

This 12½in (31cm) Royal Copenhagen blanc de chine vase offered by Newcastle’s Anderson & Garland (22% buyer’s premium) on December 5 has an underglaze ‘three waves’ mark dating to c.1870-90.

A more recent purchase for the Starrs was this late-18th century, 10¼in (26cm) high, black basalt two handled amphora, from the section of encaustic-decorated wares that were inspired by classical attic vases.

Morphy Auctions’ latest Fine & Decorative Arts sale held in Denver, Pennsylvania included this unusual 7½in (19cm) Russian silver-mounted pottery vase.

This late 19th century cameo glass vase by the highly collectable Stourbridge maker Stevens & Williams was the outstanding offering among the 195 lots at Michael J Bowman’s (17.5% buyer’s premium) sale at Chudleigh on January 19.

Among the first women potters recognised by the public as individual designers worthy of collecting were Hannah Barlow (1851-1916) and her sister Florence. The first women artists at Doulton’s Lambeth factory, they joined in 1871 and 1873 respectively.

A private collection of more than 30 pieces of Pilkington’s Lancastrian lustre excelled when offered at Lyon & Turnbull (25% buyer’s premium) in Edinburgh on October 10.