Vase

Two pieces of Moorcroft Pomegranate pattern made exceptional sums within a matter of 24 hours at the end of September. Both were early versions of the popular pattern and dated 1912 – the year William Moorcroft left his studio at James Macintyre to run his own factory in Cobridge.

This large 16in (40cm) high baluster faience vase, sold by Hansons (25% buyer’s premium) in Teddington, is by ‘father of art pottery movement’ Joseph-Théodore Deck (1823-91).

It was a visit to the Metropolitan Museum of Art sometime in the 1880s that inspired Louis Comfort Tiffany to produce his so-called Cypriote range of art glass.

Overseas interest fuelled bidding for two of the foreign offerings at Bellmans’ (22% buyer’s premium) Interiors sale in Winchester on February 12.

One of the highest prices of 2019 achieved by French auction house Beaussant Lefèvre (27% buyer’s premium inc VAT) was the €310,000 (£262,710) paid for this impressively tall 4ft 1in (1.25m) high pair of gilt bronze mounted, footed and covered vases.

Although outwardly simple objects, cedar ‘bent corner’ chests, still made today by the indigenous people of the Pacific North West, employ a number of sophisticated woodworking techniques.

This 12½in (31cm) Royal Copenhagen blanc de chine vase offered by Newcastle’s Anderson & Garland (22% buyer’s premium) on December 5 has an underglaze ‘three waves’ mark dating to c.1870-90.

A more recent purchase for the Starrs was this late-18th century, 10¼in (26cm) high, black basalt two handled amphora, from the section of encaustic-decorated wares that were inspired by classical attic vases.

Morphy Auctions’ latest Fine & Decorative Arts sale held in Denver, Pennsylvania included this unusual 7½in (19cm) Russian silver-mounted pottery vase.

This late 19th century cameo glass vase by the highly collectable Stourbridge maker Stevens & Williams was the outstanding offering among the 195 lots at Michael J Bowman’s (17.5% buyer’s premium) sale at Chudleigh on January 19.

Among the first women potters recognised by the public as individual designers worthy of collecting were Hannah Barlow (1851-1916) and her sister Florence. The first women artists at Doulton’s Lambeth factory, they joined in 1871 and 1873 respectively.

A private collection of more than 30 pieces of Pilkington’s Lancastrian lustre excelled when offered at Lyon & Turnbull (25% buyer’s premium) in Edinburgh on October 10.

MADAM – I write regarding your Pick of the Week article (ATG No 2354,) on the Walter Crane vase (1890) for Maw & Co, sold at the Kingham & Orme auction in July.

Our weekly selection from salerooms and dealerships.

From the same source which provided Sotheby’s success with a fine collection of Scottish Colourist works (ATG No 2347), a large late 19th version of the Medici Vase led the two-day Glasgow sale at Great Western Auctions (23% buyer’s premium).

Weschlers’ mixed-owner Capital Collections sale in Rockville, Maryland, on May 11 will offer a very wide range of fine and decorative arts.

Leading Roseberys’ inaugural stand-alone sale of 20th century decorative arts on January 23 – the first under new head of department Fiona Baker – was this large Art Deco ceramic vase and cover (right) by the important French Art Deco ceramicist René Buthaud (1886-1986).

The interest in studio pottery goes beyond the premier names in the field. Three pieces by Waistel Cooper (1921-2003), a Scot who worked first in Porlock in Somerset and later from the Barbican Pottery in Penzance, generated plenty of bidding at Greenslade Taylor Hunt’s (19% buyer’s premium) July 6 sale in Taunton.