Delftware

Teapots made in delftware were never particularly functional nor popular in either England or the Netherlands.

Here we speak to dealer John Howard who specialises in British pottery.

A dab hand at Christmas shows, Andrew Singleton of Suffolk House Antiques in Yoxford has held one annually for over 25 years.

Thousands of items are available to buy from dealers online. Here we pick out one that caught our eye this week.

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Back in 1990, following a famous and much-repeated Henry Sandon valuation on BBC Antiques Roadshow, a late 17th century slipware owl jug and cover was acquired by the Potteries Museum in Stoke-on-Trent for £22,000.

This particular form of English delft puzzle jug, with its distinctive knopped neck, seems to be peculiar to the second half of the 17th century.

Robert Aronson runs Dutch family business Aronson Anitquairs, which launched in 1881 and today specialises in Delftware.

This rare 2in (5cm) English delftware ointment pot, c.1775, carries the inscription in manganese 'The Queen’s Dentifrice'.

This 8½in (21cm) Delft blue and white tulip vase below is typical in style and form of the De Metale Pot (The Metal Pot) factory.

A Westerwald salt-glaze jug offered at Reeman Dansie's latest sale in Colchester was worked with stylised tulips and a medallion with the portraits of William of Orange and Queen Mary.

Palace uses power of pre-emption to buy cast of Giambologna’s seminal sculpture at auction.

Market freshness, provenance and attractive estimates were the features that held sway to ensure a high selling rate for a single-owner collection of British delftwares offered at Woolley & Wallis (25/12% buyer’s premium).

Market freshness and well-regarded primary and secondary provenances distinguish the 250-300 pieces of early English delftware to be offered for sale by Woolley & Wallis in a stand-alone auction in Salisbury on September 17.

Pictured here are three pieces from the Pelham Olive collection sold by Bonhams on January 31. Two are early English delft and are prize examples because they are inscribed and dated. The third is an example of Staffordshire slipware.

The models used in 17th century ceramics were typically derived from contemporary metalwork – and occasionally vice versa.

The sale of two great collections at auction – one in London, the other in New York – has highlighted the ebbs and flows of the market for early British pottery and furniture.

Among the best performers at the Olive collection of early British ceramics, metalwork, furniture and treen sold at Bonhams on January 31 was this large English delftware tankard.