Delftware

This 8½in (21cm) Delft blue and white tulip vase below is typical in style and form of the De Metale Pot (The Metal Pot) factory.

A Westerwald salt-glaze jug offered at Reeman Dansie's latest sale in Colchester was worked with stylised tulips and a medallion with the portraits of William of Orange and Queen Mary.

Palace uses power of pre-emption to buy cast of Giambologna’s seminal sculpture at auction.

Market freshness, provenance and attractive estimates were the features that held sway to ensure a high selling rate for a single-owner collection of British delftwares offered at Woolley & Wallis (25/12% buyer’s premium).

Market freshness and well-regarded primary and secondary provenances distinguish the 250-300 pieces of early English delftware to be offered for sale by Woolley & Wallis in a stand-alone auction in Salisbury on September 17.

The sale of two great collections at auction – one in London, the other in New York – has highlighted the ebbs and flows of the market for early British pottery and furniture.

The models used in 17th century ceramics were typically derived from contemporary metalwork – and occasionally vice versa.

Pictured here are three pieces from the Pelham Olive collection sold by Bonhams on January 31. Two are early English delft and are prize examples because they are inscribed and dated. The third is an example of Staffordshire slipware.

Among the best performers at the Olive collection of early British ceramics, metalwork, furniture and treen sold at Bonhams on January 31 was this large English delftware tankard.

Inscriptions and/or dates add a premium in many classes of ceramics but especially so in delftware. Some afficionados such as the late Syd Levethan made this a particular goal for their collecting.

Estimated at £1500-2000, this rare English delft dish sold for £20,000 (plus 22.5% buyer’s premium) at Cheffins in Cambridge on March 8.