Ceramics

The primary artistic influence behind the Prattware phenomenon that captivated Victorian society for 40 years was the freelance artist and engraver Jesse Austin (1806-1879).

WHILE recent months have seen some softening in the majolica market as a whole, scarce pieces by good makers continue to attract bids close to those they did three or four years ago. Pictured right is one of George Jones’ best-known Stilton dish designs, modelled as a thatched bee skep on a rustic base of mottled greens and browns that also includes a registration lozenge for 1872.

THE very earliest English porcelain has long held sway in the market, but one feature of Part I of the mammoth Zorensky Worcester collection sold by Bonhams in March was the high prices paid for some of the late 1760s and early 1770s underglaze blue ground tablewares.

ALTHOUGH catalogued as a late 18th century fruitwood apple form tea caddy, this finely turned and carved 5 1/2in (13cm) high vessel sold by Biddle & Webb (15% buyer’s premium) on April 1 was more accurately a melon.

POLICE are investigating the theft of antiques valued at hundreds of thousands of pounds stolen from Uppark, the National Trust House in West Sussex, overnight on June 6-7.

RARELY one to miss a commercial opportunity, from pub jugs to caviar pots, Henry Doulton’s potworks in Lambeth produced stoneware advertising novelties for many local businesses. There are, for example, a series of paperweights made for the Thames boat people carrying the names of the companies who commissioned them as gifts for their best clients.

RETRIEVED by a porter from a box of kitchenalia sent for sale from Northumberland, this early 18th century Staffordshire slipware mug proved the highlight of the sale conducted by H&H King of Carlisle on June 7.

DECORATED manuscripts known as fraktur, made in various parts of America but primarily associated with Pennsylvania’s German communities, are something very little known in Britain, but on the home auction scene they are big money spinners indeed, as the example from an April 24 Americana sale held by Freemans of Philadelphia shows.

DECORATIVE pâte-sur-pâte has been selling well recently and an example of the work produced by Louis Marc Emmanuel Solon for Mintons was featured on the cover of the catalogue produced by Freemans of Philadelphia for their March 20-21 sale of English and Continental furniture and works of art, and it duly produced one of this special Spring sale’s better results.

AUCTIONEERS David Lay (15% buyer's premium) of Penzance can rely on strong local demand for home-grown collectables such as Newlyn copper and Troika pottery at the bi-monthly sales.

BONHAMS Chester hosted a 484-lot collectable ceramics and applied arts sale on April 27.

DERBYSHIRE dealer Nick Gent has taken over the London Ceramics Fair from Fred Hynds of Wakefield Ceramics Fairs and formed Prestige Ceramic Fairs to stage specialist events.

HERE is some information about one of the unqualified recent successes of the London ceramics scene, Eight Days in June, a concurrent series of exhibitions held by four leading Kensington dealers from June 7 to 15.

SCATTERED amongst the colourfully decorated but fairly routine European-taste 18th century famille verte and famille rose bowls, plates and tea services that comprised the bulk of Christie’s King Street’s (19.5/12% buyer’s premium) 214-lot European collection of Chinese Export ceramics on May 11 was a handful of more unusual entries for which buyers paid a premium.

LITTLE wonder that London organisers Brian and Anna Haughton have such a soft spot for their annual International Ceramics Fair & Seminar, the 23rd of which will be staged from June 10 to 13 at The Commonwealth Centre in Kensington High Street, London W8.

THE market’s mood for the earliest English porcelain was in evidence at the April 27 sale held by Brettells (12% buyer’s premium) of Newport. The Shropshire firm offered a 16-lot private collection of mainly Worcester wares.

“The best example I have seen in the last ten years,” said Woolley and Wallis’ decorative arts specialist Michael Jeffery, of this Martinware bird, which was consigned to the auctioneers’ May 26 sale from a vendor in the New Forest.

WILD beasts, and tigers in particular, loomed large in the late Georgian imagination. They appear in a range of guises, from the fearful symmetry of William Blake’s Tyger to the almost cuddly features of the big cats modelled by Staffordshire potters for popular consumption.

Right: this fine Nantgarw porcelain plate, once thought to be painted by Thomas Baxter and traditionally known as the ‘Three Graces’, was part of a collection of porcelain offered by Worcestershire auctioneers Philip Serrell on May 20.

THE meteoric growth in demand for the rarer Beswick farm animals in good condition saw more money change hands for a 20th century Beswick Belted Galloway Bull than for an 18th century Whieldon bull and calf, at Brightwells' (15% buyer's premium) 524-lot April 28 specialist ceramic outing.