Ceramics

Ceramics are a major focus of this report on sales from Germany. The selection of highlights and unusual pieces ranges from early 19th century products of the Vienna factory via Art Nouveau creations and 1920s Soviet-era porcelain to works by famed 20th century Studio potters.

Headline stratospheric results should not put collectors off, as a London auction underlines.

Betty Klaber, together with her daughter Pamela, started their ceramics business Klaber & Klaber, in 1969, specialising in 18th century European porcelain and enamels.

The recent art and design sale at Cheffins in Cambridge included these two 1930s Moorcroft tubelined vases decorated with fish – a pattern from the later years of the William Moorcroft era.

Catalogued as ‘Art Nouveau… manner of Charlotte Rhead’, this pair of tube-lined tiles went at 10 times the estimate at Trevanion & Dean’s (17.5% buyer’s premium) sale in Whitchurch.

Derek Billings has died at the age of 86. For half a century he was an important player in the collecting world of Doulton art pottery. His late wife Kay was a very supportive partner in forming the collection.

Nineteenth century majolica ware is a speciality for Indiana saleroom Strawser Auction Group.

After 44 years working as an auction house specialist, John Sandon has chosen to retire from his post as international director of glass and British ceramics at Bonhams.

While Sotheby’s and Christie’s no longer hold regular dedicated auctions of European ceramics, they still cater for elements of this market in their main centres worldwide via series of mixed-discipline traditional decorative arts auctions.

Keys’ fine sale on July 24-26 will include more examples of porcelain from the local Lowestoft factory.

While dedicated sales of English and Continental ceramics are rarer beasts in the saleroom calendar these days, the traditional mixed-discipline regional sales are a repository for plenty of material from the main factories of the 18th and 19th centuries.

A good example of the attraction of a dated and named inscription was evident at Woolley & Wallis’ (25% buyer’s premium) recent ceramics auction in Salisbury.

A matched pair of Chelsea mugs cropped up in an Andrew Smith’s (21% buyer’s premium) sale in Hampshire.

Opening the antique ceramics section of Lawrences’ (25% buyer’s premium) four-day sale in Crewkerne was the William Farrar Jackson collection of commemorative English pottery.

A pair of Worcester dishes of so-called ‘Blind Earl’ form was a best-seller in the ceramics section that opened Dreweatts’ (25/20/12% buyer’s premium) spring sale.

In today’s world when employment fluidity is the norm, it is rare to find someone who had been in the same job and place all their working life. But when he hung up his hat last week from his role as international director of glass and British ceramics at Bonhams, John Sandon had clocked up almost 44 years, man and boy, in the same saddle.

The latest version of Christie’s (25/20/12.5% buyer’s premium) Collector sale in New York featured an interesting collection of equine pottery: an ensemble of 10 large-scale English pearl ware horses, the majority made in the Leeds pottery in the first half of the 19th century.

Included in a mixed-discipline sale held in Paris by Daguerre (28% buyer’s premium inc VAT) at Drouot was a Sèvres bough pot in soft paste porcelain.

The highlight of a dedicated ceramics sale held at Drouot by Fraysse (22.17% buyer’s premium) was this large 16 x 22in (41 x 56cm) early French, Moustiers, faience basin made at the Clerissy factory.

It is thought that the prestigious Meissen designer Johann Joachim Kaendler drew the inspiration for his teapot in the form of a reclining cockerel from a Chinese model he found in the royal collection in Dresden.