Herefordshire

Self-portraits are among the earliest prints that Rembrandt van Rijn (1606-69) made, accounting for a large portion of his etching output when he was in his 20s and living in Leiden.

Detailed down to pneumatic tyres, knock-off hub caps and rack-and-pinion steering, the clockwork toy of Alfa Romeo’s P2, the world-beating racing car between 1924-30, was produced by CIJ (Compagnie Industrielle du Jouet) from 1924-35.

The Victorian Conservative politician Lord Coventry is believed to have commissioned this portrait of favourite hounds Rambler and Marksman.

A demi-parure of mid-18th century Swedish gold jewellery offered by Brightwells (22% buyer’s premium) in Leominster was accompanied by a painted portrait miniature of the original owner wearing the set. The miniature, although uninscribed, was dated 1845.

Topping two days of steady selling and 750 wide-ranging lots at Leominster saleroom Brightwells’ (17.5% buyer’s premium) summer auction was a Republic period cong-form vase in the style of the renowned Qianjiang School artist Wang Yeting.

This small scene by Scottish genre painter Thomas Faed (1826-1900) shown below sold for a quadruple-estimate £8500 at Brightwells (22% buyer’s premium).

Huanghuali furniture in the form of a late Ming/ early Qing ping tou-an (recessed legs table) starred in the Oriental section of Brightwells’ (17.5% buyer’s premium) sale in Leominster.

An estimate of £120-150 was never going to do for a lot in a Leominster sale of March 28 that was catalogued, in full, as “STEIN, Sir Aurel, Serindia, a Detailed Report of Explorations in Central Asia and Westernmost, four vols, and a box with maps (5)”.

Provenance played a key role in the performance of a small group of pictures formerly owned by one of Australia’s biggest artists, Sidney Nolan (1917-92).

An oil on copper painting depicting Saint Joseph by the Bolognese artist Gaetano Gandolfi (1734-1802) was the highlight of Brightwells’ spring fine art sale in Leominster on March 21-22.

Henry Shaw (1812-87) is a well-known name in the world of antique taxidermy.

The sluggish area of Victorian genre painting provided Brightwells (20% buyer’s premium) with one of its top-sellers at the November 8-9 sale in Leominster.

If Julia Brisbane, organiser of Antiques in Tents, ever wanted a publicist for her biannual traditional and decorative antiques fairs at Burton Court, near Leominster, she need look no further than one of her exhibitors, decorative dealer Kieran Mathewson.

Large numbers of lots identified only as folders, boxes and albums full of prints, watercolours, maps and so on offered in a Brightwells (17.5% buyer’s premium) sale of July 5 included one disarmingly catalogued, in full, as ‘Sketches, Watercolours, Prints of Naked Ladies, chiefly’. It sold at £500.

Triple lens or Triunial magic lanterns were the iPhone 8 of their day. Since the days of the Sturm lantern in the 17th century, the technology had developed from basic projectors producing small, dimly lit images, to these magnificent machines capable of spectacular technicolour lantern entertainments.

Dealer Julie Brisbane’s triannual Antiques in Tents has been described in glowing terms by an American visitor as “a fair with a fantastic range and quality and probably the most enjoyable and charming fair I have ever visited”.