Modern British Art

The rise and rise of Winifred Nicholson (1893-1981) out of the shadow of her husband, Ben, can be compared to that of Gwen John, now recognised as at very least equal to the artistic talent of her brother Augustus.

JACK Vettriano (b.1951) is not an artist normally associated with the North East of England, but one of the lesser known facts about Britain’s Most Popular Artist is that one of his first one-man exhibitions, if not the first, was held at the Corrymella Scott Gallery in Jesmond, an upmarket suburb of Newcastle upon Tyne, in 1992.

WHAT should the art world do when the going gets tough? Many in the trade sit back and whine. Others go into battle. Those who do get up from their derrières and practise a little innovation and lots of enthusiasm often do well in the most difficult of periods.

REGULAR readers of Scott Reyburn’s Art Market will be only too aware that many equestrian paintings by Sir Alfred James Munnings (1878-1959) have in recent years shown significant increases in value. As he reported as recently as Antiques Trade Gazette No 1648, July 17, Munnings’ oil sketch Newmarket Cheveley was the only work to dramatically exceed its estimate in Sotheby’s Important British Picture sale on July 1.

OMENS could not be better for the 20/21 British Art Fair, which, from September 15 to 19, returns to its roots at the Royal College of Art, Kensington Gore, London SW7 after a couple of years down the road at The Commonwealth Institute.

TURN the clock back some 30 years, and regulars to Bonhams’ Knightbridge rooms might just recall a rather dapper, pinstripe-suited auctioneer by the name of Alexander Meddowes.

THE Fergusson show at Alexander Meddowes, coincides with Edinburgh’s exhilarating annual Festival, which brings with it not only hundreds of incredibly diverse theatrical shows but a good sprinkling of art exhibitions too.

HELPED by contacts with the Traquair family, Shapes have a great track record selling the work of Phoebe Anna Traquair (1852-1936), the Dublin-born mixed-media artist who became a leading member of Scotland’s Arts and Crafts movement.

AT the Royal Academy Summer Exhibition this year, the end wall of Gallery II was completely taken up with a work which John Hoyland, Professor of Painting at the Academy Schools, described as “Terry Frost’s magnum opus”.

ON view at the Belgrave Gallery, St Ives, these two works by the late Sir Terry Frost represent a gap of some 60 years.

ONE of the most exciting aspects of the ever-growing interest in 20th century British art is the opportunity it offers to rediscover significant, but neglected, talent of the period. For those with a keen eye and prepared to look beyond the mere ‘big’ names, there really are some impressive things out in the market place. Such works, of course, also have the added bonus, more often than not, of falling into the category of affordability.

THESE two half-length images of women, right, could hardly be more different in date or technique, but their prices proved as uncannily similar as their poses when they came under the hammer at recent fine art auctions.

SOTHEBY’S have announced that they are merging their Modern British art and Victorian art departments to create a new one called British Art 1850 – Present Day.

BASED in Stoke-on-Trent, auctioneers Louis Taylor (buyer’s premium 12.5 per cent) are better known for their ceramics than their pictures but their quarterly Fine sale held from June 14-16 was led by this Dorothea Sharp oil on canvas, right, Children with a Dog on a Summer’s Day.

DECADES before Damien Hirst’s formaldehyde sheep and the 1990s explosion of Britart, London was swinging to the rhythm of Pop Art’s movers and shakers. Forty years have now passed since the height of this international movement prompting Christie’s South Kensington (19.5/12% buyer’s premium) to host the first of what they hope will become an annual Pop Art themed sale on June 30.

THE Fan Museum in Greenwich, the world’s only museum entirely dedicated to the history of fans and the craft of fan-making, have acquired an important fan painted around 1889 by Walter Richard Sickert (1860-1942).

AS the hubbub dies down in London, there is no shortage of action in the provinces.

WOW! The Royal Academy Summer Exhibition is really different this year. Well, the colour scheme is, anyway.

CONTROVERSIAL artist Tracey Emin (b. 1963) might be outraged by public “sniggering” after the loss of her works in the Momart’s London warehouse fire, but the art world has lost much more than her infamous tent. To many, much more disconcerting is the loss of the large cache of major paintings by Patrick Heron, RA (1920-1999).

Right: among the highlights of the three-day on-the-premises house sale conducted by Woolley & Wallis at Ashley Manor, near Stockbridge, Hampshire from May 18-20 was this 11 1/2in (29cm) high bronze cast of a winsome puppy by Dame Elizabeth Frink (1930-1993).