Modern British Art

TO mount six major selling exhibitions in the space of eight years of paintings by iconic British 20th century artist L.S. Lowry (1887-1976) is, by any standards, impressive. Nonetheless, this is exactly what New Bond Street dealer Richard Green has done. His latest Lowry showcase opens this Wednesday, May 19.

COLLECTORS who love the art of L.S. Lowry but can only afford Helen Bradley (1900-1979) were presented with the picture of their dreams when this 11 by 14in (27 x 36cm) oil, right, of the momentous and inspirational meeting between Lowry and Bradley outside the 1955 Saddleworth Art Group’s Exhibition came up for sale at the Chichester rooms of Henry Adams (15% buyer’s premium) on April 28.

INTENSE competition between three bidders on the telephone and two in the room pushed the watercolours of Edward Bawden (1903-1989) into new financial territory when this signed and dated, 1956 composition, right, House at Ironbridge, fetched £10,500 at the Sudbury, Suffolk rooms of Olivers (12.5% buyer’s premium) on April 1.

UNLIKE the market for oil paintings, where traditional images appear to be going through something of a mini-revival, print auctions show signs of being a sector where the critical mass of demand has shifted permanently towards Modern and Contemporary.

THERE was no doubt about which were the two outstanding lots at Hamptons’ (15% buyer’s premium) March 24 picture sale in Godalming.

ON Radio Four’s Desert Island Discs of April 28 the castaway was painter Jack Vettriano (b. 1954). When asked by presenter Sue Lawley how much he thought his celebrated oil, The Singing Butler, would sell for at Sotheby’s on April 19, Vettriano’s response was that it would exceed the top estimate of £200,000.

ONE of the hottest Modern British names in the last few years, has been Winifrid Nicholson (1893-1981), whose half-length portrait of her husband Ben Nicholson made a record £100,000 at Lawrence’s, Crewkerne in January 2002.

THE architect of the newly built British Library is to donate 600 art works collected over 50 years to the nation. Professor Sir Colin St John Wilson will hand over the gift to Pallant House Gallery in Chichester via the National Art Collections Fund (Art Fund), the UK’s leading independent art charity.

FOUNDED in 1876, The Fine Art Society at 148 New Bond Street is one of London’s oldest and most innovative galleries and it has chosen a fascinating theme for its next exhibition, which opens on March 23 when the gallery gets back to business after two months renovation.

ALTHOUGH Derwent Lees (1885-1931) is recorded in reference books, such as the Handbook of Modern British Painting and Print-making 1900-1990, published by Ashgate, he is not that well known outside specialist trade circles.

Following the £620 sale of three Wedgwood Ravilious Coronation mugs in November, Tom Delaney of Mallams in Cheltenham recalled seeing a similar mug in a local house – this much rarer example transfer printed with a brick kiln together with a silhouette portrait of Stoke-on-Trent’s most famous son and the inscription Josiah Wedgwood Barlaston 1940 Etruria 1730.

THE growing strength of the Modern British market has had plenty of publicity over the last couple of years, but strong demand for Post-War painting is hardly news to the Scottish and Irish collectors who have been faithfully backing the “Modern Celtic” market for decades.

The Establishment remains unconvinced but eccentric’s studio sale is a sell-out: HAVING claimed to have slept with 3000 women, and certainly having fathered at least 15 children and kept open studio for the entire community of local vagrants, one of whom he kept embalmed in a drawer for 15 years, the Plymouth painter Robert Lenkiewicz (1941-2002) was undoubtedly one of the great larger-than-life characters of British post-War art.

Fred T. Jane is a turn-of-the-century artist who doesn’t make much of an impact in the sort of standard reference works that line the office walls of serious auctioneers and dealers.

If the forthcoming 20/21 British Art Fair at the Commonwealth Institute proves as successful as many dealers are hoping, there will be no shortage of competition for this signed and inscribed Eric Ravilious (1903-1942) watercolour, right, Hull’s Mill, coming up for sale at the Stansted Mountfichet rooms of Sworders (15% buyer’s premium) on October 21.

The Spring Fine Art & Antiques Fair at Olympia, which will be held in London from February 25 to March 2, has received a record amount of publicity thanks to this Graham Sutherland (1903-1980) portrait of Churchill, right.

Thanks to the combination of sporting subject matter and extremely slick technique, Sir Alfred Munnings (1878-1959) continues to be one of the few early 20th century British painters to command a truly international following among the world’s richest private collectors.

Over the last 10 to 15 years, the market has undergone a slow but steady shift towards 20th century painting in particular the Post-War abstraction of the St Ives school whose geometric shapes and pure blocks of colour are wholly in tune with contemporary tastes.

“Marvellously dotty” was how Peyton Skipwith of The Fine Art Society chose to describe this 14 by 12in (36 x 30cm) oil on panel by Rex Whistler (1905-1944). Entitled Miss Muffet, the panel depicts the moment when, sat upon her tuffet eating her curds and wey, a spider sits down beside the well-known nursery rhyme character.

For those who can’t afford paintings by L.S. Lowry, the Manchester townscapes of Arthur Delaney (1927-87 appear to be becoming an increasingly popular substitute.