Ceramics

Susie Cooper: A Pioneer of Modern Design, edited by Andrew Casey and Ann Eatwell, published by the Antique Collectors Club. ISBN 1851494111 £29.50

LONDON-based Brian and Anna Haughton are moving their International Ceramics Fair & Seminar from the West End to the Commonwealth Centre in Kensington where it will be staged in conjunction with a new event, The London Asian Art Fair.

A private collection of Wood family Staffordshire pearlware figures was the main focus of a sale of British ceramics held by Sotheby’s Olympia on November 19.

This tiled panel advertising Champagne Mercier was one of a rare ensemble of six panels made in the early 1920s, each 5ft 9in x 2ft (174 x 62cm), on offer under the Prunier hammer in Louviers (14.95% buyer’s premium) on November 17. The other tiled panels, accompanied by two landscape friezes, also advertised drinks (Rhum Negrita, St Raphaël, Guillot Triple Sec, Quenot Dijon cassis, Fine Legrand cognac), and were marked G.F.C. France for Gilardoni Fils & Compagnie of Choisy-le-Roi, near Paris.

Auctioneer Geoffrey Barfoot has noted increased activity at the general sales in the Campsea Ashe rooms of Abbotts (10% buyer’s premium) and the mood has spread to fine art – “provided the lots are fresh to market and good or rare”.

THE sale at Amersham Auction Rooms (15 per cent buyer’s premium) on October 3 had a number of items with collector appeal – none more so than this Wemyss cat, right, a speciality within a speciality. The vendors had no knowledge of the value of the 123/4in (32cm) black and grey cat but bidders at Buckinghamshire didn’t need the Wemyss Ware Made in England painted mark to the base to recognise it for what it was and the cat sold to a local dealer at £4000.

THAT the Berkshire auctioneers Law Fine Art could garner more than 1000 lots, sell more than 70 per cent of them and reach a total of £160,0000 for this latest of their thrice-yearly ceramics and glass sales says as much about Mark Law’s and Nicholas Lyne’s operation as it does for the general strength of ceramics in these generally difficult times.

In Cologne on October 26 W.G. Herr (18% buyer’s premium) staged a Jubilee sale to mark their 50th auction in the cosy Friesenwall gallery where, as he puts it, Werner Herr has been “swinging the hammer” for 20 years.

SHOWING until November 23 at Gary Grant’s gallery at 18 Arlington Way, London EC1, near Sadlers Wells, is a selling exhibition Post-war patterned pots which offers 110 pieces highlighting innovative designs on mid-20th century ceramics.

AMONG a number of more positive signs for the trade this autumn, fewer are more enouraging than news of an auction house expanding to accommodate extra consigments. Such is the case at these Devon auctioneers, S.J.Hales, who, since they opened in May 2000, have held monthly auctions at the local Edgemoor Hotel where space has meant sales have not exceeded more than 800/900 almost all aimed at ceramics collectors.

In the same week that their South Kensington rooms offered the first instalments from Margaret Cadman’s mammoth collection Christie’s King Street (19.5/10% buyer’s premium) rooms were busy selling the second part of the Dr KH Wadsack Collection of Berlin porcelain.

A 221-lot auction of Contemporary Ceramics, made up the final instalment of Bonhams’ design week series on September 24. The two most bankable names in this market are Hans Coper and Lucie Rie and their work can usually be relied on to dominate the top price slots.

This impressive equine statuette, right, proved to be the high point of Bonhams’ September 18 sale of British ceramics and glass at Bond Street. The 163/4in (42.5cm) high model decorated in cream and black is set on a rectangular plinth sponged and painted in green, blue and pink.

The 1440 lots of 20th century decorative arts offered on the first day of the September 3,4 sale at the Bristol Auction Rooms (buyer’s premium 12.77%) included a range of ceramics, plus a dozen items of metalware and furniture, but the lot that really made the decorator trade sit up was this 4ft 1in (1.25m) terracotta creation, right, by Goldscheider.

After some research Guy Schwinge of Duke’s in Dorchester discovered this rare English porcelain mug to be an early piece of Worcester and not Bow as originally catalogued.

The Margaret Cadman Collection - Preview: The short supply of good quality period ceramics (indeed of all antiques) compared to the golden era of past collecting is a constant lament these days and one often wonders just what has happened to all of them? For several thousand pieces the answer is that they have been squirrelled away for decades in a large Victorian house on the South Coast.

THE sale on August 16 was the first time Bonhams, Honiton (17.5% buyer’s premium) had held a specialist collectors’ sale without cigarette and postcards after the decision was made to sell these at New Bond Street. With the sale now focused firmly on Goss and crested china, pot lids, Prattware and commemorative ceramics, lots of new buyers flooded in making the sale a big success.

THE OLD jokes are not always the best but evidently the story of the vicar and the tithe pig was one that could be repeated to an 18th century audience ad infinitum.

When David Brettell was made redundant from Barbers of Market Drayton he decided to go it alone and in October 2001 Brettells was born. Holding weekly general and bi-monthly fine sales, the fledgling auction house has found success in what have been difficult times for the trade.

GERMANY: There was widespread relief in the art world last week when the Zwinger Palace museum was saved from the worst of the flooding in Dresden.