Ceramics

This 10in (25cm) Burleigh Ware pottery wall plate, by Charlotte Rhead established a new auction record for the industrial ceramicist when it sold for £2900 (plus 10 per cent buyer’s premium) at Andrew Hartley Fine Arts on October 8. Consigned to the Ilkley rooms via a local house clearance, the vibrantly-coloured plaque carried the pattern number 4350, a design previously known only from pattern books dated to c.1928-29.

First introduced c.1809, the ‘Caramanian’ series represent one of Spode’s most popular early 19th century pattern ranges.

AS WELL as their specialist musical instruments and clock specialist sales, the Bath auctioneers Gardiner Houlgate have been holding pioneering bi-annual sales devoted to Clarice Cliff and decorative arts sales for the past eight years.

John Wilkes Booth, Lee Harvey-Oswald – political assassins have been among the most vilified men in American history. However there is something distinctly British about the strong sympathy vote received by the one man who has successfully done away with a Prime Minister of this country. The Staffordshire potters even made a jug to mark his passing.

CHISWICK-based dealer in studio pottery, Joanna Bird, presents her seventh annual exhibition at Browse & Darby, 19 Cork Street, London W1, from September 15 to 20, centred on the work of eight leading contemporary potters, Elizabeth Fritsch, Julian Stair, Edward Hughes, William Plumptre, John Spearman, Daniel Fisher, Michael O’ Brien and Danlami Aliyu.

IT WAS the Sotheby’s sale of July 10 that included the largest and most significant portion of Churchilliana on offer this summer, but it was not the only sale to serve the market, as this report shows.

DUELLING pistols often attract considerable interest and one of the top lots in this 1162-lot Welsh sale at Anthemion on 16 July was a pair of pistols by Wogden & Barton, 1795-1803.

A successful sale isn’t always an instant transaction and one of the more notable features of exhibiting at a fair is follow-on business. This can often take some time to materialise but is nonetheless satisfying, especially when it produces a particularly pleasing conclusion, as was the case with this pair of 18th century Sèvres vases à compartiments, pictured right, which London dealer Robert Compton-Jones of the Woollahra Trading Co. took to the Paris Biennale last September.

With only seven others known to exist, this pair of 1750s Worcester gugglets was destined for success when offered on July 22 at Bristol Auction Rooms. Acquired fairly recently by a local private source, the 9in (24cm) high pair were originally estimated at just £400-600.

In addition to those almost ubiquitous geographical crests, the WH Goss factory embellished their finely potted miniature wares less frequently with images of royalty and nobility, flags, buildings, verses and flora and fauna.

Clarice Cliff and Moorcroft: THE majority of Clarice Cliff’s colourful and highly decorative pottery may be financially accessible to large numbers of enthusiasts for three-figure sums, but the top end of the market is driven by a relatively small number of wealthy buyers.

ISLINGTON dealers Gary Grant Choice Pieces, specialists in mid-20th century design, particularly textiles, ceramics and glass, host the launch of a new, extended and revised edition of Steven Jenkins’s definitive book on Midwinter pottery this month at their gallery at 18 Arlington Way, London EC1 and from July 25 to August 16 celebrate the launch with a selling exhibition of Midwinter.

Burleigh: The Story of a Pottery by Julie McKeown, published by Richard Dennis Publications. ISBN 0903685809. £45hb

One of the highlights of the English porcelain section of Sotheby’s Olympia’s ceramics sale on July 3 will be a group of pieces from the celebrated Duke of Gloucester Service produced by the Worcester factory c.1775. The service is said to have been made for William Henry, Duke of Gloucester and Edinburgh and Earl of Connaught (1743-1805), younger brother of George III.

Textiles from Mexico, by Chlöe Sayer, published by The British Museum Press. ISBN 0714125628 £12.99sb

BRITISH pottery specialist John Howard, whose particular enthusiasm is Staffordshire, is a familiar figure at quality fairs and when I caught up with him last week on his stand at Olympia he told me that there had been some changes on the home front.

NOT for nothing is the antiques market known for being unpredictable, nay, almost perverse. In the middle of the worst recession that many dealers have experienced, the worst drought that many salerooms have ever had to endure, auctioneer Nigel Kirk of Mellors and Kirk recorded his best sale in the brief (ten-year) history of his business on 10-11 April. He could not quite believe it, especially as half of the furniture lots failed to sell, but the statistics bore out the remarkable reality.

This rare and impressive Royal Worcester porcelain model of a Golden Eagle, right, attracted huge amounts of interest from Royal Worcester collectors when it came to the rostrum on April 10 at the Worcester rooms of Andrew Grant (15% buyer’s premium).

Pictured on the front cover of the 530-lot catalogue offered by Suffolk auctioneers Abbotts (10 per cent buyer’s premium) on March 12 was a group of Moorcroft pottery assembled by a Southwold collector over the past 25 years.

THE auction record for Clarice Cliff was sent tumbling last week on May 14 when Christie’s South Kensington sold this May Avenue charger for £34,000, almost double the previous high of £18,000 paid in December 2001 at Phillips for a charger decorated with the Windmill pattern.