News

Even as the million-pound Impressionist and Modern pictures were being knocked down in their King Street saleroom last week, Christie’s were reconfirming their commitment to the currently troubled middle market sector.

There has been considerable reportage on the subject of commemorative medals at auction recently, and the considerable museum participation in auction sales. So spare a thought for the dealer who issues fixed-price lists. Two fine English fixed-price catalogues have recently thudded through my letterbox.

Highlight of the remainder of the Roy Mickleburgh collection sold by Bristol Auction Rooms on June 24 was this rare monkey band automaton, c.1870. The nine-piece chamber orchestra includes no fewer than 43 separate movements operated by a French mechanism and is housed in a rosewood veneered two-part case with a 48-note German-made crankwind barrel organ below playing a choice of seven tunes.

On July 21 and 22, Sotheby’s will be holding a house contents sale at Wormington Manor near Broadway. This was the Worcestershire home of interior decorator, Christopher Rowley whose shop in Lower Sloane Street, Belgravia was a familiar meeting point for his large circle of friends and clients until his death in April this year.

THERE are few better ways of spending a sunny June afternoon than browsing around the gardens and castle of ’s-Gravenwezel, 10 miles outside Antwerp, as a guest of its owner, the legendary Belgian antique dealer and interior decorator Axel Vervoordt.

Apart from their specialist commemorative medal sale, Morton & Eden (15% buyer’s premium) busied themselves with a general 1025-lot sale on May 21 which made a total of £592,877. This fine result was coupled with a reasonably small failure rate of just 12 per cent. This is about the norm for more specialised events but hard to achieve in a general sale.

A watercolour and drawings sale held by Bonhams on June 10 included a small group of E.H. Shepard illustrations from the estate of the late Jean Ames, who as Jean Gourlay had befriended the artist during the late 1930s and early 1940s, prior to his second marriage, and though the saleroom was non-committal on the matter, it is possible that these versions were specially made by Shepard for Miss Ames.