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BIRMINGHAM-based Centre Exhibitions, headed by Fran Foster, launch a new series of fairs from October 18-20 when the first Ceramics For Everyone Fair is held at The Grandstand, Worcester Racecourse.

THIS 438-lot Suffolk auction at Abbotts may not have been as strong as their last sale in March but this was more to do with the quality of consignments this time round than a reflection of the market.

William Blake did not manage to persuade his non-conformist followers to build Jerusalem in England’s green and pleasant land, but a Victorian carpenter came close with this davenport, right. Consigned to the May 22-23 sale held at Winterton’s (10% buyer’s premium) in Lichfield, the davenport belongs to an interesting group of 19th century olivewood furniture bearing the logo Jerusalem, written in English or Hebrew.

Nanking means to most people the rape of that city by the Japanese; to ceramics collectors it conjures up memories of the Nanking Cargo, but in the specialist picture market it is the place where the 1842 treaty was signed opening up five ports to British merchants “without (molestation or restraint”.

The German painter Hans Purrmann (1880-1966) is described by Bénézit as an artist who was heavily influenced by Matisse (with whom he had contact in Paris from 1906-1914), but who lacked the greater artist’s “sense de lumière et de la couleur”.

If maritime artefacts are your thing, set sail for Christie’s South Kensington. There’s a positive marina’s worth of material on offer on June 19 in the first of their two annual sales held in London devoted to all manner of marine artefacts and paintings.

BRITAIN’s leading furniture maker and designer John Makepeace calls this exotic and exquisitely crafted one-off piece of furniture English Fruits, and the circular table will be the centrepiece of a special Makepeace feature at the entrance of the Daily Telegraph/House and Garden Fair at Olympia from June 27 to 30.