Canterbury

Estimated at £200-300 in a Kent sale, a military commission that bears the signature of King George III and is additionally signed and endorsed by William Pitt the Elder, Britain’s prime minister at the time of the Seven Years War, sold online instead for £7500.

A painting of apple blossom by the Austrian Impressionist Olga Wisinger-Florian (1844-1926) drew a five-way online bidding battle at Canterbury Auction Galleries (24% buyer’s premium inc VAT) on August 1.

This 12in (39cm) Portobello pottery plaque piece, c.1820, is a rare piece but one known in a number of different colour variations.

In 1765 the engineer and entrepreneur Matthew Boulton (1728-1809) visited Paris, where he observed first-hand the workshops of bronziers and the wares that were proving hugely popular with Georgian Britain’s elite.

With Storm Ciara getting under way (in pre-coronavirus days…) it was not, perhaps, the ideal time to launch the new weekend sales at Canterbury Auction Galleries (20% buyer’s premium).

The near dominance of Scandinavians among mid-20th century designers of wood furniture and artefacts was underlined at two sales at Chiswick Auctions (25% buyer’s premium) in February.

An atypical visitor to a recent sale at Canterbury Auction Galleries (24% buyer’s premium) was a Norwegian silver gilt brudekrone dating from the late 18th or early 19th century.

Paintings by Leeds-born artist Louis H Grimshaw (1870-1943) are often overshadowed by his better-known father, John Atkinson Grimshaw (1863-93).

While individuals and pairs from the suite of five bronze cricketers by Joseph Durham (1814-77) are occasionally seen on the rostrum, it is rare to find all five appearing together.

American naval expertise and gallantry came as a big shock to the British, who had become used to the Royal Navy ruling the waves.

Amassed by one of the longest-serving members of the MCC (Marylebone Cricket Club), a group of cricketing lots notched up a number of auction highlights last month.

A group of five rare bronzes by Joseph Durham (1814- 77) from the Gould collection will be offered at The Canterbury Auction Galleries on November 26-27.

When auctioneer Tony Pratt spotted a mysterious shape in the undergrowth of a back garden in Hythe he wasn’t expecting to uncover a very large pottery bear.

Works by Namikawa Yasuyuki underline how buyers are aiming at the very best when it comes to the Japanese market ahead of a series of UK sales.

The owner of an 18th century double-manual harpsichord, the only one of its type known to exist, has been temporarily prevented from exporting it in the hope a UK buyer can be found.

On the market for the first time in at least 60 years, and in some cases for more than a century, a small collection of 17th and 18th century silver accounted for a fraction of the lots but 20% of the total at the two-day winter sale at Canterbury Auction Galleries (24% buyer’s premium).