Glasgow

ONCE again Fran Foster of Centrex, the Birmingham NEC’s organising arm, has proved there is plenty of fair business in Scotland if the quality and mix of stock is right. Her fourth Antiques For Everyone – Glasgow, held at the Scottish Exhibition and Conference Centre from June 20 to 22, proved a success for the great majority of the 80 or so exhibitors and it was commented upon that this Scottish fair has outshone many events further south.

FOR decades it baffled many that Scotland could not host a major, vetted quality antiques fair of any size, but that changed in 2000 when Fran Foster of Centrex, the organising arm of Birmingham’s National Exhibition Centre, took her successful Antiques For Everyone formula to the Scottish Exhibition and Conference Centre and launched Antiques For Everyone – Glasgow.

FROM April 10 to 13 the Glasgow Art Fair, the largest contemporary art fair outside London, will run for its eighth year in its pavilions in George Square in the heart of the city.

A secondhand bookshop in Glasgow and two Yorkshire dealers are celebrating a windfall of several million pounds after settling their dispute over the ownership of a lost cache of William Blake watercolours. The folio of 19 illustrations for Robert Blair’s poem, The Grave, one of the most exciting “finds” in art market history, have been sold through London art dealer Libby Howie, acting on behalf of an anonymous collector, for an estimated £4.9m.

A second hand bookshop in Glasgow and two dealers are locked in a legal dispute over the ownership of a lost cache of William Blake watercolours, valued at over £1m.

THIRD time lucky for the annual Antiques For Everyone – Scotland fair, held at Glasgow’s Scottish Exhibition and Conference Centre from August 23 to 25.

FOR the third year running, Birmingham-based fairs director Fran Foster stages Antiques For Everyone – Scotland and she hopes that from August 23 to 25 the exhibitors – more than 100 dealers at Glasgow’s Scottish Exhibition and Conference Centre – build on the considerable success of the first two.

IN 1954 the painter and printmaker, Philip Reeves (born 1931), being interviewed for a post as a lecturer at the Glasgow School of Art, produced a letter of reference from the artist Robert Austin (1895-1973).

John Pearson is to the Newlyn School what Margaret Gilmour is to the Glasgow School – an Arts and Crafts metalworker who specialised in repousee work of naturalistic style.

Manufacturing expertise and a fondness for the hard stuff are notable traits among Scottish folk, and they were well married in this miniature copper whisky still, pictured, offered by Glasgow auctioneers McTear’s (10 per cent buyer’s premium) on September 11.

AT the second outing Antiques For Everyone – Glasgow confirmed its status as Scotland’s top fair and certainly enough business was achieved by enough of the 170 exhibitors at the Scottish Exhibition and Conference Centre to indicate a secure future for this new fixture.

THE local west Scottish trade were the driving force behind the 75 per cent take-up on the 589 lots offered at Mctear's. Glasgow on June 15 – including the surprise star piece.

UK: THE 122-lot furniture section at this Glasgow general sale was something of a double-edged claymore supplying, as it did, the biggest prices as well as the most casualties.

UK: THE designs of Charles Rennie Mackintosh are normally associated with stellar prices in the salerooms, but this stained birch day bed struggled to get away at Lyon and Turnbull’s Glasgow sale of Decorative Arts on April 18 and indeed had experienced a fair degree of ignorance or neglect in the course of its history.