UK

THERE is a deal of trade excitement at the latest initiative of that accomplished organiser Fran Foster, who from January 28 to February 1 launches the National Fine Art and Antiques Fair at The National Exhibition Centre, Birmingham.

This Women’s Social and Political Union medal for valour was awarded to Mary Richardson, the Canadian-born militant suffragette who, in protest at the re-arrest of Emmeline Pankhurst in March 1914, slashed the ‘Rokeby’ Venus with an axe at the National Gallery.

One of the unforeseen consequences of the arrival of Enlightenment philosophy in Puritan Scotland was the creation of clubs and societies that encouraged exuberant and outrageous behaviour in their members. The best known is the Beggar’s Benison.

A National Art Collections Fund grant of £37,500 has helped Ely’s Stained Glass Museum acquire an important early 13th century French stained glass panel of the bust of a king.

THE CORA GINSBURG COLLECTION: Pioneering New York dealer and collector Cora Ginsburg (who died last December aged 92) was passionate about the needlework, costumes and textiles she dealt in.

THE inscription Wilkes And Liberty No. 45 on this 9in (23cm) diameter Lambeth delftware portrait plate is as good as a date as it refers to the publication of the 45th issue of John Wilkes’ sharp-tongued periodical The North Briton.

BERKSHIRE organiser Dinah Ives, who is better known as Magna Carta Country Fayres, has been putting together events at the Runnymede Hotel, Egham, Surrey, for 28 years, but has left for what she feels is a better venue where she is getting a better deal: the Exhibition Hall of Ascot Racecourse in her home county.

UK: Fraser Glennie Fine Arts, the auction arm of the Circencester-based surveyors and estate agents, are to join the Cotswold Auction Company.

TWO nations, two auctions, one plane. The French and English charity auctions of Concorde parts and memorabilia, held by Christie’s and Bonhams in Paris and London respectively, both attracted audiences of over 1000 and passed off as complete sell-outs, with no shortage of estimate-crushing prices for components and souvenirs from the now retired iconic aeroplane.

The object on which the keenest attention in the works of art world was focused this month was this 161/2in (42cm) diameter, 15th century parcel-gilt and silvered bronze roundel depicting Mars, Venus, Cupid and Vulcan.

While Sotheby’s incorporated their best objects of vertu into their silver sale on November 20, Christie’s offered theirs in tandem with portrait miniatures in a 264-lot sale the following month on December 9. The vertu side of the sale performed particularly well, with hardly any failures, most of the 55 unsold lots coming from the miniatures.

SOTHEBY’S chief executive Robin Woodhead has confirmed that whatever happens with the casino plans at Olympia, his company are committed to maintaining two salerooms in London. He made the pledge during an in-depth interview with the Antiques Trade Gazette in which he also explained that flexibility over staffing and the running of sales were key to future success.

UK: Brightwells are moving their operations from Ryelands Road in Leominster to a new and purpose-built building at Easters Court, at the northern end of the A49 bypass. The new building is nearly three times the size of the present premises where space had become a problem.

A DRAWING by E.H. Shepard of Winnie the Pooh playing a balalaika raised bidding on a third edition of The House at Pooh Corner to £7000 in the Greenslade Taylor Hunt sale of November 13 – and although nothing else in the 825-lot Taunton catalogue came remotely close to that in financial terms, a few other lots deserve mention.

LAST week, after two years of renovations, Judith and Phil Carrigan officially opened their Uzella Court Antiques Centre and Fine Art in the centre of Lostwithiel, Cornwall. The centre is housed in a partly medieval building which has been a shop of one sort or another – most recently a butcher’s – since 1850.

The technique of Limoges enamelling, imitated by a number of historically-minded potteries in the second half of the 19th century, was championed at Worcester by Thomas Bott and then by his son Thomas John Bott.

Stained glass, such a pre-occupation of the Victorians from the Pre-Raphaelites to the Aesthetics and the Arts and Crafts movement, has been something of a Cinderella among collectors for the best part of a century. Now, while the lovely and neglected Cinders may not exactly be the belle of the ball, interest in, and prices for, the medium are creeping up.

LONDON dealer Caroline de Kerangal is happy dealing from home and a couple of times a year at the decorative fair in Battersea Park, but she occasionally gets the urge to work from a shop, and it appears to be a seasonal thing.

ARTS Minister Estelle Morris will hold a seminar for the trade on the new UK measures to restrict the illicit trade in cultural objects. Slated for January 15 in the BP Lecture Theatre, at the Clore Education Centre of the British Museum, the session will see Miss Morris give a presentation on the UK implementation of the 1970 UNESCO Convention, the Dealing in Cultural Objects (Offences) Act 2003 and the new Money Laundering Regulations.

DECANTERS of all types from the 18th century to the present are the subject of an exhibition running at the Broadfield House Glass Museum, Dudley, until April 18 next year.