UK

AFTER a decade at the venue, Essex-based organiser Robert Bailey has decided not to stage his flagship fair at Claridge’s hotel in London this April.

The Elizabethan communion cup of St Peter-with-Bastwick, Repps, pictured right, was stolen from a safe on the weekend of January 1-2.

Star billing at Christie’s King Street sale of selected English and Continental ceramics on December 6 went to three Meissen Augustus Rex covered baluster jars of 1740 with the AR monogram and Dreher’s marks XII to the base.

Four antique clocks and two barometers were stolen in a raid on Chislehurst Antiques in Kent in late December.

THE New Barnham Auction rooms have just held their first fine art and antiques sale – only five weeks after taking over the premises.

Hamptons Fine Art Auctioneers have become the latest regional auction business to join The Fine Art Auction Group, parent company of Dreweatt Neate Fine Art and Neales of Nottingham.

BACK in London, until February 12, Mayfair purveyors of ethnographic and tribal items, the Gordon Reece Gallery, hold a sale of their current stock of antique rugs at their gallery at 16 Clifford Street, London W1. Rugs are offered at half price and, in true High Street clearance style, will be replaced daily “while stocks last”.

SOME areas of the art market seem impervious to the changing winds of taste. One is quality pictures of great European cities by recognised artists which appeal across the usual boundaries of generations and national borders.

The Cheltenham Art Gallery & Museum have added two paintings by Joseph Southall (1861-1944) to their internationally recognised collection of British Arts & Crafts.

By and large the Cumbrian antiques trade were counting their blessings last week after escaping the worst of the floods that engulfed the region.

The 1150 lots offered at Essex auctioneers Ambrose (15% buyer’s premium) at Loughton on December 9 encompassed most areas of the market and, outside the jewellery, generally sold for three-figure sums.

ERICH Maria Remarque’s corrected galley proofs for the 1929, first bookform edition of Im Westen nichts Neues [All Quiet on the Western Front] brought a collector’s bid of £26,000 at Sotheby’s on November 30.

NOW a permanent fixture on the capital’s art scene, the seventh annual Art on Paper Fair will be held from February 3 to 6 at the Royal College of Art, Kensington Gore, London SW7. It will be opened at noon on the 3rd by one of last year’s more colourful characters, Spectator editor, and lapsed Tory shadow spokesman for the Arts, Boris Johnson.

Wallis & Wallis, Lewes. November 23. Buyer’s premium: 15 per centSales of arms and militaria can, with their beautifully chased old flintlocks and exuberantly decorated uniforms, somehow skate over the fact that often what is on offer is, or was, associated with the darker side of humanity.

The Victoria and Albert Museum will open a new Portrait Miniatures Gallery on March 2.

The main head-turner at the Hove sale held by Scarborough Perry Fine Arts (15% buyer’s premium) on December 2-3 was this striking 19th century Italian, gold-mounted tortoiseshell snuffbox with a finely executed micromosaic lid, right.

The Orient played a significant part in Tennants’ (Buyers premium 15%) success in the Yorkshire Dales.

Clarke Gammon Wellers, Guildford, October 26. Buyer’s premium: 15 per cent Although there were few four-figure highlights in this 711-lot outing, the 100-lot jewellery section had just the type of reasonably estimated, privately entered, material to attract dealers from London and the South East who, between them, secured the lion’s share of entries.

IN CONTRAST to Sotheby’s and Christie’s, who usually offer Japanese arms and armour in Japanese works of art sales, Bonhams (19.5/10% buyers premium) include theirs as a section in militaria auctions.

Richardson & Smith, Whitby, November 18 Buyer’s premium: 12.5 per cent Furniture produced the top lots in this routine 717-lot North Yorkshire auction, topped by an oak dresser and a plate rack with a shaped crest over four tiers.