Exhibitions

Exhibition tells the tale of an unconventional partnership opening up a conservative art scene

Dozens of London galleries are primed to open their doors to the public for the capital’s first physical mass art event in months.

Titled 'Tossa de Mar' (c.1908), this painting by the Spanish Impressionist Laureano Barrau (1863-1957) forms part of an exhibition at London gallery Colnaghi putting some of Spain’s lesser-known modern masters in the limelight.

Good-quality campaign furniture has long been admired for its nifty portable designs, fine craftsmanship and rich provenance.

The London Original Print Fair (LOPF) has modified its operations to suit the current restrictions and plans a Print Week in dealers’ galleries next month.

Gravel pit subject was typical of artist’s move towards mundane subjects, as exhibition shows

…whose painting skill is now clear… as a first selling exhibition for 30 years underlines

British Studio Ceramic is Messums Wiltshire’s third annual show.

Dealer Sim rates this little-known painter so highly he calls him ‘the English Van Gogh’

Little is known about the life of British artist William James (f.1754-71) other than he painted topographical views and may have been one of Canaletto’s studio assistants while the Venetian was visiting England.

When Paul Feeley (1910-66) returned home after serving as a US marine in Japan during the Second World War, it triggered a fundamental shift in his art.

Just before England entered a third lockdown, the John Martin Gallery squeezed in a solo show of artist Andrew Gifford’s (b.1970) work at new art hub Cromwell Place in London.

Four online Post-War & Contemporary art exhibitions organised by dealers.

With ski season on ice for so many, exhibitions offering snowy scenes could fill in

The first successful attempts at producing soft-paste porcelain in France took place in the city of Rouen during the closing decades of the 17th century.

Exhibition shows how the artist returned from the First World War in a mellowed mood

“It was the first time I found myself in front of a glacier, alone in the infinite silence and solitude of the snow mountain, surrounded by the overwhelming majesty of nature…”

This recently discovered grisaille painting of Adam and Eve by the Florentine Mannerist artist Jacopo Carucci (1494-1557), known as Pontormo, is the centrepiece of a new exhibition of monochromatic works at New York gallery Nicholas Hall.