Auctions

LEADING the sale conducted by John Taylors (12% buyer’s premium) in Louth on June 1 was a marine barometer by Rodgerson & Co.

AS a follow-up to last week’s report on the Conan Doyle collection sold at King Street in May, I bring belated news of The Adventure of the Sussex Vampire.

PERIOD if possible, but, above all, practical – this seems to be the current code among furniture buyers in the experience of Amersham Auction Rooms (15% buyer's premium) over the past couple of years.

WITH giant sales every three weeks, Keys (10% buyer's premium) of Aylsham will cheerfully put two-figure lots under the hammer, but there were also a number of four-figure sellers to help swell the hammer total to £110,000 at the latest 1640-lot outing on June 2-3.

THE 19th century European Paintings sales at Sotheby’s are divided into a number of regionally-themed sections which are enjoying varying degrees of health. Although they continue to have their occasional moments, the formerly booming markets for Orientalist, German and Scandinavian pictures continue to be pale reflections of their former selves.

TWO very strong prices, one in Edinburgh and one in London have underlined the status of the Zeigler as the most fashionable of late 19th century carpets. And the £110,000 and £130,000 bid for Zeigler & Co. carpets at Lyon & Turnbull on March 31 (Antiques Trade Gazette 1636, April 24) and Sotheby’s on April 28 (Antiques Trade Gazette 1641, May 29) had one thing in common – both were made with cream grounds.

AN airheaded and insubstantial vice it might be, but plainly vanity has lasting appeal at auction, judging by the success of the coromandel veneered lady’s box, top right, and the gentleman’s hide toilet case, bottom right, offered at Amersham Auctions Rooms (15% buyer's premium) on June 6.

“A WONDERFUL morning and a dreadful afternoon,” was how auctioneer Elizabeth Pepper-Darling summed up Morphets' (15/10% buyer's premium) 640-lot June 10 sale which was in some ways a microcosm of the auction scene in general.

BACK in July 1984, Christie’s took £75,000 (£81,000 with premium) for Thomas Rowlandson’s (1756-1827) pièce de résistance watercolour of Box-lobby loungers.

THE Old Master trade loves a sleeper and at least two dealers were convinced they were on to a major discovery when a woefully under-catalogued “Painter standing beside a canvas depicting cupid, oil on canvas, 45 x 37.5in (1.14m x 95cm)” came under the hammer without any form of attribution or estimate at the Portsmouth, New Hampshire rooms of North East Auctions (15/10% buyer’s premium) on May 23.

JOHN Snow’s best-known work, On the Mode of Communication of Cholera, deals with his investigations into the London cholera epidemic of 1831-32.

THE rare and unusual mid-18th century mahogany Windsor chair pictured on the front page of Antiques Trade Gazette No 1643, June 12, was not the only enigmatic armchair in Mallams' (15% buyer's premium) April 22 sale. The supporting cast to that £23,000 chair – an unusual hybrid combining the features of the English country chair with the timber and the modeling of urban cabinetmaking – included a Egyptian Revival walnut tub chair.

WAS it a case of not being market-fresh or a change in fashion that resulted in such a dramatic nose-dive in value for this black chalk, stump and watercolour, right, by Thomas Gainsborough (1727-1788), when it came up at Christie’s King Street on June 3? Against hopes of £40,000-60,000 it scraped home with a final bid of £35,000 (£41,825 with premium) from a private collector.

EARLIER this year, when Comic Book Postal Auctions sold a copy of Beano No.1 for a record £11,000, I briefly looked into the reasons why Dandy, which preceded Beano by several months, is not quite so avidly pursued and looked forward to seeing just how much the next Dandy No. 1 to come to auction might make.

ON July 15, Bonhams will present a double-catalogue sale of 500 lots of natural history books and watercolours from a single collection and one of the highlights will be a very special copy of Audebert & Viellot’s Oiseaux dorés ou a reflets metalliques... of 1800-02.

The primary artistic influence behind the Prattware phenomenon that captivated Victorian society for 40 years was the freelance artist and engraver Jesse Austin (1806-1879).

THIS technical marvel of the ancient world, pictured right, known as a Roman glass diatretum or cage cup, was cut out of a single blank of glass to form two layers. The solid inner cup is linked to its outer cage only by a series of delicate struts.

TWENTIETH century and Contemporary art underlined their status as the key growth areas for the major auction houses when London’s June round of Part I Impressionist, Modern and Contemporary sales netted £120.4m. Six months ago the equivalent sales took £94m, while back in June 2003 – when war was raging in Iraq – they could only muster a relatively modest £81m.

THE remarkable sums paid in London for high quality Islamic works of art arrived in the provinces in June.

AUCTIONS are often the best way of settling whether a work is genuine or not. Of the speculative entries in Christie’s South Kensington’s 584-lot sale on June 11, most were contested by Hong Kong and mainland Chinese dealers. Before the sale, trade and auction specialist opinion was divided as to whether this 10 1/2in (27cm) high blue and white vase (shown right) was a Yongzheng (1723-35) mark and period vessel or a 19th/20th century copy as catalogued.