Oil painting

Post-War sales at Christie’s (17.5/10% buyer’s premium) tend to be more predictable, less mercurial events than their cool contemporary outings and the established reputations of the artists invariably guarantee a procession of solid six-figure results.

Rise of Winifred Nicholson goes on apace with amazing bid of £100,000 for portrait of Ben: Over the last two or three years Winifred Nicholson (1893-1981), the first wife of Ben Nicholson, has become an increasingly significant figure in the Modern British market, culminating in the record £52,000 paid last July at Phillips for one of her trademark window still lives.

Anyone looking at this small 19th century still life painting, right, for the first time could be forgiven for rubbing their eyes with disbelief to hear that East Sussex auctioneers Gorringe’s (15% buyer’s premium) had allocated it an estimate of £20,000-30,000 at their January 29-31 sale in Lewes.

BELGIUM (£1=BFr63): Antwerp's Campo Vlaamse Kaai enjoyed a pleasant pre-Christmas surprise at their two-day sale on December 11/12 when A Hostage, a large work by Edmund Blair Leighton (1853-1922) measuring 3ft 8in by 4ft 10in (1.12 x 1.48m), featuring a girl leaning on a wall, gazing wistfully out to sea, raced to BFr3.1m (£49,200) against an inexplicably low estimate of BFr8000-12,000.

“Fascism, charged with Idealistic values, is applauded by all of those who are legitimately able to call themselves Italian poets, novelists and painters. We are sure that in Mussolini we have the Man who will know how to value correctly the force of our Art dominating the world.”

The Tower of Babel was a popular subject with Flemish artists, and with the Louvain-born Lucas van Valkenborch (c.1530-97) in particular. He painted at least four versions, to be found in Munich, Mainz, the Louvre, and in the Beaussant-Lefèvre saleroom at Drouot on December 14, when an oil on panel Tower dated 1587, 28 x 35in (71 x 90cm), spiralled six times over estimate to Fr8.2m (£781,000), establishing an auction record for the artist.

BOUND to be a highlight at TEFAF Maastricht in March is Rembrandt’s painting of the goddess Minerva which will be offered by New York dealer Otto Naumann for $40m.

COPENHAGEN: Combining the current commercial attractions of Denmark’s so-called Golden Age painters of the early 19th century with plein air oil sketches by artists made in Italy during the same period, an intriguing group of small canvases by three, albeit relatively minor Danish Golden Age artists sketching in Italy proved to be a predictably desirable target on the second day of Bruun Rasmussen’s (25% buyer’s premium) September 3-5 sale in Copenhagen.

Members of the trade still looking for a suitable holiday destination could do worse than consider Pirate’s Cove on Cocos Island, the subject of this Montague Dawson oil on canvas, 3ft 4in by 4ft 2in, which appeared at Christie’s Maritime sale in New York on July 31.

UK: THIS Georgian chinoiserie framed mirror painting of c.1760 took the top slot at Sotheby’s June 13 English furniture sale when it sold to an American private buyer for £280,000.

EIRE: WITH the traditional Irish sales due in London next month, many an eye was on the Dublin sale held by James Adams (15 per cent buyer’s premium) on March 28 to see how pictures were selling in their native land.

NEW YORK: There was a flurry of activity at the Phillips New York (buyer’s premium 15/10%) auction of American Art last week as Benjamin West’s renowned painting of The Death of General Wolfe came up for sale.

LONDON: Highlight of the German and Austrian series from the Marvin & Janet Fishman Collection was Egon Schiele’s oil on canvas Portrait of the Art Dealer Guido Arnot, 4ft 7in x 3ft 7in (1.40 x 1.09m), signed and dated 1918 which sold at Sotheby’s in London for £6.5m (plus premium), more than twice its top estimate.

UK: PAUL Henry’s A Village in Connemara which sold for £58,000 at Edgar Horns in Eastbourne on July 12. The 16 x 24in (41 x 61cm) oil on canvas is fully signed and still bears an original paper label on the stretcher with title and artist, though the frame is a replacement.

THE second week of London’s prestige midsummer sales saw the Modern given way to the traditional with a flurry of exceptional prices for Old Master paintings and drawings and Renaissance works of art.

US & FRANCE: TWO works by Philippe de Champaigne have been withdrawn from the sale of the Karl Lagerfeld collection, in New York on May 23, and offered to the French State.

UK: A Shining Palace, a 2ft 1/4in by 20in (62 x 51cm) oil on canvas view of Venice, signed by William John Leech (1881-1968) had been consigned to a sale conducted by Mainstreet Auctions in the village of Saint Boswells on March 4, 2000 where it was spotted by a runner from the south east of England.

From a Ligurian Spring by Henry Herbert Lathangue (1859-1929) sold for £330,000 plus 15 per cent premium at Bearne’s Spring Seasonal Sale, Exeter on March 1.

UK: While the art market has been quieter in the provincial salerooms since the New Year, an exception was provided by this oil on canvas View of Venice at the Entrance to the Grand Canal, which appeared at Lawrence's of Crewkerne on February 17.

EIRE: ONE of a number of remarkable prices achieved at James Adam & Bonhams' Irish Art sale on December 8 was the record IR£50,000 (£41,665) given for Harry Kernoff's 1936 oil of a Dublin cab.