Oil painting

For those who can’t afford paintings by L.S. Lowry, the Manchester townscapes of Arthur Delaney (1927-87 appear to be becoming an increasingly popular substitute.

With the government still dithering over whether and when it should put a bill banning hunting with dogs in England to the vote in the House of Commons, it could hardly be a more ironic time for Sotheby's to be auctioning the only known portrait of the 'Father of Foxhunting' and the founder and first Master of the Quorn Hunt.

Quality paintings have been extremely thin on the ground in the provinces in the last few weeks, but this Dorothea Sharp (1874-1955) oil did at least create a stir at the Leominster rooms of Brightwells (15% buyer’s premium) on August 29 when it climbed to £41,000 against an estimate of £3000-5000.

ONE of the more unusual characters of the so-called ‘Golden Age’ of Danish art was Sally Henriques (1815-1886). Firstly, contrary to what the name might suggest, Sally was a man. Secondly he was Jewish. And thirdly he painted for just four years from 1841-45 before becoming – in a neat reversal of the career of Georges Braque – a house painter.

It wasn’t until Campbell Archibald Mellon (1876-1955) retired from business at the end of the First World War that he devoted himself to painting. He moved to Gorleston-on-Sea in Norfolk and the bulk of his artistic output is focused on the beaches and holidaymakers in the area.

This large Highland hunting landscape by John Frederick Herring Senior proved to be the highlight of Sotheby’s annual auction series held last week at the Gleneagles Hotel in Scotland, when it sold for £470,000 (plus 19.5/10% premium) to London dealer Richard Green Fine Art bidding on the phone.

ON July 23 Bristol Auction Rooms (15% buyer’s premium) took the second highest price at auction for an oil by Hampshire artist Henry Garland (1854-1900). Back in December 1998 Bonhams Knightsbridge took a premium- inclusive £12,650 for the 3ft 4in by 5ft 7in (1.02 x 1.70m) oil Village Gossips.

ITALY: A record price for a painting by Carlo Carrà was established in Italy back on May 21 in a sale of contemporary art held by Christie’s in Milan.

Ferdinand Georg Waldmüller’s small 1832 child portrait of the future Kaiser Franz Joseph as a Small Grenadier playing with toy soldiers, right, panel 13 x 11in (33.5 x 28cm), led the Wiener Kunst sale in Vienna on June 11 with a low-estimate €150,000 (£97,000).

JUST as the world’s top golfers were teeing off for The Open at Muirfield last week, Scotland was celebrating another hole in one. Grants totalling more than £2m from the Heritage Lottery Fund, the National Arts Collection Fund, the Royal and Ancient Golf Club, St Andrews and private benefactors meant that the Scottish National Portrait Gallery could acquire the nation’s most important golfing painting, Charles Lees’ (1800-1880) oil on canvas, The Golfers (1847).

History was made at Sotheby’s July 10 Old Master Paintings sale when Sir Peter Paul Rubens’ long-lost masterpiece, The Massacre of the Innocents, sold in the room to the Mayfair-based book dealer Sam Fogg for £45m, the highest auction price ever achieved for a work of art in the UK.

Every picture tells a story, but in the case of Théodore Chassériau’s large portrait of Comtesse de Latour-Maubourg, it was condition as much as content that revealed the artist’s state of mind at the time.

IRISH auctioneers have long been adamant that Irish pictures sell better in Ireland and certainly the 71 per cent sold by lot achieved at James Adam (15% buyer’s premium) in Dublin on May 29 was only just shy of the 76 per cent by lot selling rate taken at Christie’s Irish sale in London on May 17.

A VENDOR has been ordered to pay more than £10,000 legal costs after a picture he sold at auction proved not to be by the famous German artist to whom it was attributed.

THE ongoing calls for a ban against fox hunting have failed to dent the popularity of hunting and equestrian pictures at auction. Cecil Aldin (1870-1935) and Snaffles (Charlie Johnson Payne) (1884-1967) are just two of the artists for whom demand is strong and after Sir Alfred Munnings (1878-1959) it is Lionel Edwards (1878-1966) whose work is taking consistently high prices in the salerooms.

Sir John Lavery R.A. (1856-1941) is one of the hottest names in the booming Irish picture market and back in 1998 The Bridge at Grez, a large oil on canvas, took a record £1.3m at Christie’s London.

One of the earliest known portraits of Sir Robert Walpole, England’s first Prime Minister, is to be sold at Cheffin’s Cambridge salerooms on May 14, as part of the collection of Cambridge academic Sir John Plumb.

ONE of the most important oils by Irish artist Louis le Brocquy (b.1916) is to return to Ireland after spending nearly 50 years in Italy.

THE names of two women artists, one very well known, the other undeservedly obscure, provided talking points at two provincial sales in March.

Look at the differences between the modern-day perspective of Amsterdam’s Nieuw Voorburgwaal, and the 1759 depiction by Dutch artist Jan de Beyer (c.1703-85) to be offered for sale from the Anton Dressman collection at Christie’s Amsterdam on April 16 with an estimate of €45,000-75,000.