19th Century European Art

A much-exhibited early 19th century drawing, restituted in August to the heirs of a Holocaust victim, has immediately appeared for sale in Germany.

Two landscapes by 19th century European artists have been donated to the National Gallery by Asbjørn Lunde, an American of Norwegian extraction who is one of the world’s top collectors in the field.

A portrait by Eugène Delacroix redolent with associations to Nineteenth century French Romanticism has been secured by the Paris museum dedicated to his work.

The Art Loss Register (ALR) has located two paintings stolen from a home in Amsterdam in 2010.

CHRISTIE’S have decided to re-introduce dedicated 19th century European art sales, with the first taking place in London on June 15.

LONDON-based Russian art specialists MacDougall’s have appointed three people to establish an Old Masters and 19th century European art department.

WHAT is thought to be a long-lost work by Caspar David Friedrich (1774-1840) is at the centre of a legal imbroglio after being offered for auction in France with an estimate of 80-100 euros.

A SPECIAL addition to Christie’s mid-season Old Masters and 19th century art sale in New York on June 9 is what the auctioneers describe as “an exceptional selection of European paintings and sculpture” from the former Salander-O’Reilly Galleries in Manhattan.

COLOGNE auctioneers Van Ham offered this oil painting by Ernst Ludwig Kirchner (1880-1938), hidden from public view for over 70 years, at their latest sale.

PICTURED right is one of Nicolaas Johannes Roosenboom’s (1805-1880) classic winter landscapes, The Pleasure Trip: Elegant figures on Ice, which made €9000 (£6000) at Christie’s Amsterdam (23.205/11.9% buyer’s premium) Pictures Watercolours and Drawings sale on September 1. The signed oil on panel was 23in x 2ft 4in (58 x72cm).

NOW that few dealers can any longer afford routinely to buy pictures for stock, auctioneers, particularly provincial auctioneers, have become increasingly reliant on private individuals to take take up the slack at their art sales.

THE June 11 Aguttes (20.33% buyer’s premium) sale was dominated by late 19th century pictures, including this 1891 Venetian Conversation, seen right, 2ft 5in x 3ft 4in (73 x 1.01m), by American artist Julius Leblanc Stewart (1855-1919), who often painted Venetian scenes – Kaiser Wilhelm II acquired his Sirocco Effects in 1895. The work here claimed a handsome €85,000 (£56,665).

THE 19th century European Paintings sales at Sotheby’s are divided into a number of regionally-themed sections which are enjoying varying degrees of health. Although they continue to have their occasional moments, the formerly booming markets for Orientalist, German and Scandinavian pictures continue to be pale reflections of their former selves.

OVER 600 lots of ‘Old Master through Contemporary Prints’ were offered by Swanns on May 6 and in the former category, Dürer and Rembrandt figured prominently among the higher priced lots.

OVER a period of 30 years, the late Sir Charles Clarke of Broadhurst Manor in Sussex built up a remarkable collection of engravings, drawings and other material by Edouard Travies. He came to be recognised as the leading authority on the artist and his collection of Travies lithographs of La Chasse and other similar suites of plates is perhaps the finest ever to have come onto the market.

RUSSIAN interest in their own heritage propelled the prices of two Imperial Russian subjects in the Albion collection, sold at Bonhams' (19.5/10% buyer's premium) New Bond Street rooms on April 22, to very high levels.

UNLIKE the market for oil paintings, where traditional images appear to be going through something of a mini-revival, print auctions show signs of being a sector where the critical mass of demand has shifted permanently towards Modern and Contemporary.

Scottish, Greek and Australian subjects gave a welcome international feel to the main highlights among the pictures offered on the third day of Gorringes’ (15% buyer’s premium) January 27-29 sale in Lewes.

Miety Heiden, Sotheby’s Amsterdam (22% buyer’s premium) picture specialist had a sneaking suspicion that Schelde Roeier, an oil on canvas by Belgian Expressionist Constant Permeke (1886-1952), would do well when it was offered in the 170-lot May 27 sale of Modern and Contemporary Art in the Dutch capital. But no-one was prepared for the record breaking sum.

Sleepers are something of an endangered species at UK picture sales, but this small 6 by 5in (15.5 x 12.5cm) oil on board still life, right, by the Danish/American painter Emil Carlsen (1853-1932) certainly made the room sit up when it sold to a US dealer on the telephone at £17,500 against an estimate of just £1000-1500 at the Atheneum Sale in Bury St. Edmunds held by Bonhams’ (17.5/10% buyer’s premium) on December 17.