19th Century British Art

ANGELIC rosy-cheeked village girls were George Clausen’s (1852-1944) staple subject matter. During his time living in the Berkshire village of Cookham Dean, Clausen was particularly preoccupied with this idyllic rural subject matter and, from around 1889, he began to make a series of studies and paintings of a local child, Rose Grimsdale.

A REWARD of £50,000 is being offered in the bid to recover more than £1m worth of art stolen in a violent theft from a private collector in Bruton, Somerset.

FOUND hanging in a Boston bathroom, the whereabouts of this Aubrey Beardsley (1872-1898) illustration had been a mystery for more than 80 years. Entitled The Climax, and hanging in the lavatory alongside another Beardsley pen-and-ink drawing called A Platonic Lament, the owners had no idea of its significance.

SOTHEBY'S keenly anticipated sale of the collection of the late Sir David and Lady Scott on November 19 provided a confidence-boosting result. Any pre-sale fears that the ‘unfashionable’ Victorian pictures it contained might damage results were soon put aside.

A TOUCH of spring arrived in Dorchester on April 10-11 where amongst a number of five-figure prices at Duke’s two-day sale was this tiny watercolour of a branch of cherry blossom by the prolific Victorian theorist, critic and artist John Ruskin (1819-1900). Dated 1857, it is displayed here a fraction less than its actual size.

Dukes have negotiated the sale to the nation of two major Pre-Raphaelite paintings. Music by Sir Edward Coley Burne-Jones and Hamlet and Ophelia by Dante Gabriel Rossetti were found in the Oxfordshire home of the late Jean Preston that also yielded two panels from the San Marco altarpiece by Fra Angelico sold by the Dorchester auctioneers last year for £1.7m.

Christie’s are to merge their British and Old Master pictures departments in London.

Enigmatic, elusive, rarely seen, and classified as mad – but that’s our Dadd!

Stephen and Iona Joseph began collecting and dealing in primitive animal portraits more than 30 years ago and as Iona Antiques were well-known exhibitors at top antiques fairs both here, where they were regulars at Grosvenor House, and in the United States. However, since Stephen Joseph died last year his wife has decided to stop dealing and is selling her collection at Bonhams on March 21.

A cache of William Blake watercolours, unearthed in a Glasgow bookshop five years ago, are to be sold in New York after attempts to keep them together in the United Kingdom have failed.

English folk art with an American accent. Not only did the pair of child portraits seen at the Athenaeum in Bury St Edmunds on June 15 represent charming examples of early 19th century folk art, they also carried the name of an artist who would move to America shortly after they were painted.

TRADITIONAL British pictures have not been one of the strongest areas of the art market in the last couple of years, with sporting paintings being particularly stuck in the doldrums.

THE recently published, enlarged and revised second edition of Peter McEwan’s indispensable Dictionary of Scottish Art and Architecture describes the Perthshire-born landscape painter Joseph Henderson (1832-1908) as “one of Scotland’s half-forgotten painters who deserves better recognition than he has hitherto received”.

THE Fergusson show at Alexander Meddowes, coincides with Edinburgh’s exhilarating annual Festival, which brings with it not only hundreds of incredibly diverse theatrical shows but a good sprinkling of art exhibitions too.

THE controversy over whether fox hunting should be banned may rumble on, but, presumably, even the most committed hunt saboteur could not take exception to this intriguing Victorian fantasy painting.

PAINTINGS offered at Lyon & Turnbull’s (17.5% buyer's premium) July 21 Jordantone dispersal were mostly comfortable furnishing pictures of some quality including this uncharacteristic Joseph Farquharson oil, right, entitled Fisherwoman on a Deserted Sandy Beach. Very different from the artist’s trademark mix of sheep, heather and swirling snow, the 22in x 3ft (55x 91cm) image of a solitary figure walking barefoot on the shimmering sand went to a private buyer at £17,000.

SOTHEBY’S have announced that they are merging their Modern British art and Victorian art departments to create a new one called British Art 1850 – Present Day.

IN the eyes of many of today’s collectors, it is the realist interiors, which range from old farm buildings to grand rooms, and the figure subjects of William Henry Hunt (1790-1864), which are most desirable, a fact highlighted by the artist’s sale results.

THE problem with over-ambitious estimates does not just apply to the sort of significant paintings which consignors may be led to believe are worth sums in the £100,000-£1m range.

THOMAS Rowlandson’s (1756-1827) watercolour Place des Victoires, Paris (estimated £60,000-80,000) failed to find a buyer when offered at Sotheby’s (20/12% buyer’s premium) on July 1.