19th Century British Art
This sector includes Romantic painting, Victorian art, British Orientalism and Pre-Raphaelite art.
Why the watercolour world of Lear now looks affordable
15 June 2004OVER the last couple of years, a number of auctioneers have been complaining that lesser-name Victorian watercolours in the sub-£500 range have become the weakest of all areas at picture sales, sometimes to the point of having no market at all.
An essential voyage on Bush Hardy’schoppy seas
15 June 2004NO self-respecting specialist auction of marine paintings would be complete without at least one example from the brush of that most prolific and popular of late 19th century marine painters, Thomas Bush Hardy (1842-1897).
Langley-lover triumphs again
09 June 2004THE West Midlands auctioneers Fieldings (12.5% buyer’s premium) are making something of a habit of getting impressive prices for market-fresh watercolours by the Newlyn School painter Walter Langley (1852-1922).
An impossible overall view... but Snowdon is sale high point
05 May 2004JOHN Varley Senior (1778-1842) was one of the most prolific watercolourists of his generation, exhibiting no fewer than 700 works at the Old Water Colour Society between 1805 and 1842.
Athlete to star in Australia
05 May 2004ACQUIRED for £52,000 by the Australian businessman John Schaeffer at Christie’s, London in June 1996, this striking oil on canvas, right, A Dancing Athlete with an Olive Branch, by Frederic Leighton (1830-1896), comes under the hammer again on May 15.
The Vettriano factor of 1888 ... Backdated feel-good nostalgia and a limited technique ... does Sadler’s appeal sound familiar?
05 May 2004HAVE we just had a glimpse of the Jack Vettriano market in 100 years’ time? Any connection between the Walter Dendy Sadler (1854-1923) painting of three top-hatted Regency gentlemen being served a bottle of port in an inn garden which made £50,000 at the Cambridge rooms of Cheffins (15% buyer’s premium) on April 22, and the £660,000 Singing Butler might seem tenuous in the extreme.
Traditional scenes of the times...
28 April 2004THERE was no doubt about which were the two outstanding lots at Hamptons’ (15% buyer’s premium) March 24 picture sale in Godalming.
Pre-Raphaelite’s time has come...
15 April 2004With a dozen works by the artist currently on show at Tate Britain’s Pre-Raphaelite exhibition, Sussex auctioneers John Nicholson (15% buyer’s premium) could hardly have picked a better time to offer a watercolour by George Price Boyce (1826-97) than at their March 17 sale in Fernhurst.
Wardle’s worldwide appeal
06 April 2004A POPULAR breed, a popular artist, plenty of puppies, totally fresh to the market, a come-hither estimate... When it came to dog paintings, this signed Arthur Wardle (1864-1949) canvas of a long-haired Jack Russell terrier with her pups had pretty well everything going for it when it came under the hammer at Wintertons (15% buyer’s premium) of Lichfield on March, estimated at just £2000.
Traditional demand lifts bidding in provinces
01 April 2004WITH a name like the Old Picture Palace, the former cinema in Matlock that is the newly acquired saleroom of the Derby auctioneers Bamfords (15% buyer’s premium) should be the sort of venue where the more traditional end of the art market should feel at home.
Another five-figure bid underlines Jane Vivian as a name to notice
23 March 2004The well-worn cliché about everyone in the trade wanting to buy the same few pictures was certainly in evidence at the March 9 sale of British and Continental pictures at Bonhams (17.5/10% buyer’s premium) at Knightsbridge when this highly commercial oil-on-canvas view of the Piazzatta, Venice, indistinctly signed Viviani, came under the hammer with a highly tempting estimate of £2000-3000.
Roses’ bloom has faded, but not blown over
23 March 2004FIFTEEN or so years ago works by the likes of Helen Allingham (1848-1926) and the Stannards of Bedfordshire had the sweet smell of success all over them. However, in more recent times the general consensus is that watercolours of this genre, which I loosely describe as “roses round the cottage door”, have slipped from favour.
The problem of identifying bonafide Boningtons…
23 March 2004Illustrated in colour on the catalogue cover of Clevedon Salerooms’ March 4 sale was a watercolour described as being by Richard Parkes Bonington (1801-1828).
When Newlyn is still a prize catch...
16 March 2004WITH collectors’ taste in Modern British art shifting in recent years from pre-war to post-war, the once all-conquering Newlyn School has not generated as many headline-stealing results as it did in the late 1980s.
Bonhams get middle market mix right
09 March 2004WITH thousands of middle-class homes being turned into white boxes every week, how on earth can English auctioneers sustain the market for middle-of-the-road Victorian pictures?
A shocking dog story in paint…
13 February 2004Dead animals are usually regarded as a major commercial no-no in a painting, as is excessive size. It was therefore hardly a surprise that a recently restored and relined 5ft 10in by 8ft (1.78 x 2.44m) Richard Ansdell (1815-1885) canvas featuring a dead wolf and a dying dog did not exactly inspire a blizzard of bids when it came under the hammer at Maxwells of Wilmslow on January 23.
Scot tops the international scene at Sussex sale
13 February 2004Scottish, Greek and Australian subjects gave a welcome international feel to the main highlights among the pictures offered on the third day of Gorringes’ (15% buyer’s premium) January 27-29 sale in Lewes.
Back among provincial beauties...
09 July 2003Victorian painter Sophie Anderson (1823-1903), who specialised in heart-warming female figure studies, appears rather infrequently on the market, but a Hampshire religious institution furnished the Lewes branch of Gorringe’s (15% buyer’s premium) with two good quality, signed half-length female subjects in untouched condition for their June 12 picture sale.
Record for Constable in battle for Victory
08 April 2003“AS extreme as always with focused bidding on the key lots,” was Victorian specialist Grant Ford’s frank description of the selective response to Sotheby’s (20/12% buyer’s premium) mid-season British Sale at Bond Street.
Ireland’s Gothic vandalism
26 March 2003Gothic Art in Ireland 1169-1550: Enduring Vitality, by Colum Hourihane, Yale University Press. ISBN 0300094353 £45.00 hb (publication date April 17).
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