Spoon

MADAM – Just to add to the provenance of the newly discovered Scottish disc-end spoon in your most recent edition (Pick of the week, ATG No 2456, sold at Lyon & Turnbull for £21,000).

Once the second city in the kingdom, Norwich had its own silver assay office during three periods between 1565 and 1702.

While most early Scottish spoon types follow closely known and comparable patterns from England or mainland Europe, the ‘disc-end’ is an exception. Made for perhaps a century from c.1580, it is a form seemingly unique to Scotland.

Alongside pieces made in Kinsale, Galway and Waterford, silver from the small County Cork town of Youghal is among the scarcest of all Irish provincial silver. Only a handful of pieces survive that carry the punning town mark of a yawl.

Satirical magazine Private Eye once ran a series highlighting the fatuity of interviews by supposedly asking famous names their feelings towards spoons, there being nothing more mundane or less worthy of comment. But the appeal of an antique spoon to the cognoscenti is not difficult to appreciate.

On account of its relative scarcity, all Irish silver carries a premium. It is the pieces made in small provincial centres that are most highly prized.

Rare as Forres silver is, three pieces by the Highland town’s smiths John and Patrick Riach were on offer at Edinburgh auction house Thomson Roddick (17.5% buyer’s premium) on October 11 – the fiddle pattern dessert spoon, below, and two characteristic Scottish toddy labels.

Four days after fire gutted the Glasgow School of Art designed by Charles Rennie Mackintosh, this silver-plated teaspoon, below, designed by the great man was offered by Derbyshire auction house Hansons (20% buyer’s premium).

Marked CRA and dated 1895, a set of three silver spoons offered at auction represent a key point in the career of one of the giants of the Arts & Crafts movement, Charles Robert Ashbee (1863-1942).

A recent silver sale at Woolley & Wallis in Salisbury included a cache of early spoons from the collection of David Constable. Each had been illustrated and discussed in his magnum opus, 'Silver Spoons of Britain', published in 2016.