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Latest news from Antiques Trade Gazette, the leading specialist publication for the art and antiques market


EU shelve changes to hallmarks

09 December 2003

By a vote of 9-6 the member states of the European Union opted to shelve plans to change current laws relating to the hallmarking of precious metals. The decision not to proceed with the controversial Precious Metals Directive, taken on November 21, was welcomed by British hallmarkers, anxious to preserve one of the nation’s earliest forms of consumer protection.

The Great Exhibition of 1851: A Nation on Display

09 December 2003

The Great Exhibition of 1851: A Nation on Display by Jeffrey A. Auerbach, published by Yale University Press. ISBN 0300080077 £35hb

Will Venus play a cameo role or take centre stage?

09 December 2003

The Rothschilds were spread so extensively across Europe that it is perhaps not surprising to see dispersals from different branches of this extended pan-European family peppering the auction calendar.

The Story of the Golf Ball

09 December 2003

The Story of the Golf Ball by Kevin McGimpsey, published by Kevin McGimpsey in association with Philip Wilson Publishers. ISBN 0856675661 £49hb

To Have and to Hold: An Intimate History of Collectors and Collecting

09 December 2003

To Have and to Hold: An Intimate History of Collectors and Collecting by Philipp Blom, published by Penguin. ISBN 0140294805 £8.99pb

François Linke 1855-1946: The Belle Epoque of French Furniture

09 December 2003

François Linke 1855-1946: The Belle Epoque of French Furniture by Christopher Payne, published by the Antique Collectors’ Club. ISBN 1851494405 £75hb

Set of six 17th century painted leather chair backs

09 December 2003

Among the more remarkable lots sold outside London this season are a set of six 17th century painted leather chair backs (one shown) sold by Gardiner Houlgate on November 12-13. Discovered by the vendor in a box lot at a West Country sale, each of the six elements were decorated (probably domestically rather than professionally) in oil-based paint with secular figures, flora and fauna in a manner reminiscent of 1660s stumpwork.