Auctions

Characterised by high-quality craftsmanship, a bold use of colour plus a love of whimsy, the menagerie of gem-set or enamel animal designs are particularly recognisable as signature Kutchinsky pieces.

A remarkable collection of around 4500 postcards relating to a wide range of aspects of Jewish life in the 19th and 20th centuries was the fascinating, and often sobering, centre of interest when offered by Norfolk auction house Horners (17% buyer’s premium).

LS Lowry’s industrial northern English city scenes, populated with his trademark ‘matchstick’ figures, have inspired many artists. Chief among them was Brian ‘Braaq’ Shields (1951-97), dubbed ‘Liverpool’s Lowry’.

Sold for $300,000 (£214,185) apiece in a recent New York sale were three very well-known works from the worlds of cartography and natural history.

A hand-coloured design for Charles Voysey’s 'River Rug' surfaced at Lawrences of Crewkerne where it sold at £21,000 (plus premium).

On song at Stratford-upon-Avon, a late 19th century French automaton musical bird soared beyond the £1000-1500 estimate at Bigwood (19% buyer’s premium).

Unlike other European jewellers, where designers and makers were often shrouded in anonymity, the Georg Jensen Co promoted its craftspeople and encouraged them to become names in their own right.

On April 28 the Bordeaux auction house Briscadieu is holding a sale devoted to Peintures Bordelaises – featuring scenes by a mix of local artists and those from further afield who visited this picturesque region. An idea started in 2015, this is the auctioneers’ third such themed sale.

An old photo of a former owner and a memorial inscription will seldom add commercial value to a Victorian locket. However, the example by the Phillips Brothers of Cockspur Street offered by Mallams (20% buyer’s premium) in Oxford on March 21 carried the inscription 'Julia Hay Norman, Died 3rd October 1873'.

A restituted portrait of a German electoral prince by Lucas Cranach the Elder, missing for nearly 80 years, has sold for $6.6m (£4.7m).

Among the flurry of sales providing a welcome spring tonic for the trade generally, two weighted heavily towards furniture provided welcome encouragement.

If a 74% selling rate points to continued selectivity among furniture bidders, the hammer total of £534,000 achieved at Dreweatts’ (24% buyer’s premium) 275-lot Fine Furniture and Works of Art sale showed they also have money to spend – “a trend we’ve seen for a while now”, said auctioneer Ben Brown.

Brought into a free valuation day held at Bishop’s Cleve, near Cheltenham, a copy of Eric Ravilious’ High Street sold on March 27 at what would appear to be a record sum in a Derbyshire sale.

Helen Larson was a keen collector of costume, especially pieces with historical associations. She spent half a century building up a collection that encompassed early costume, couture and pieces with historical or celebrity provenance, helped by her friend Doris Langley Moore who founded the Costume Museum in Bath.

Creative flair combined with a maverick approach to metalwork set Louis Osman (1914-96) apart from other British designers of the post-war era.

When John Schaeffer visited the pre-Raphaelite exhibition at the Tate Gallery in 1984 it changed the course of his art enthusiasm.

When the opportunity arose to sell a small group of pictures by obscure local artist Bernard Myers (1925-2007), Krassi Kuneva of Chiswick Auctions (15/12% buyer’s premium) seized the chance.

This portrait of an elderly gentleman tickled the taste buds of bidders when it was offered at Heliers Auction (18% buyer’s premium) in Lancashire.

Three more modestly valued works drawing attention at recent regional sales works at regional salerooms below £500 including a still life by Sudbury artist Paul Earee.

Running to 600 lots and achieving £560,000 hammer, a recent London sale incorporated a wide range of collecting fields, from Dickensian theatrical ephemera to children’s books and all things Irish.