Auctions

A pencil drawing by Bronzino (1503-72) earned Fr10.6m (£960,000) at Piasa on November 20, the highest ever price for an old master drawing in Paris, and a world record for a Bronzino drawing.

UK: The absence of a buyer’s premium at Nigel Ward & Co’s sale on November 18 at Ewyas Harold Memorial Hall near Pontrilas, Hereford was certainly a factor in the substantial price attained for this Charles II pewter candlestick, 7in (18cm) by an unknown Bristol maker.

This Regency giltwood chair may have been one of the largest hearing aids ever built, but it was intended to serve the same purpose as the smallest, mobile device: disguising the disablity and sparing the dignity of the listener.

UK: Lot 1098 at the Leominster rooms of Brightwells auctioneers offered the clock trade the chance to purchase this rare late 18th century bracket clock by Thomas Berry of Ormskirk, 2ft 7in by 17in (79 x 43cm).

Sold at Sotheby’s, London sale (October 12-13) for £6500 was a rare example of a printed version of one of the letters exchanged by Napoleon and the Sherif of Mekkah, Ghalib ibn Musa’id, at the time of the French invasion of Egypt in 1798-99.

UK: The Voyage of H.M.S Beagle is a summary of fauna discovered by Charles Darwin on his travels through the Southern Hemisphere from 1831-6, and became crucial to the formulation of his brutal creed: “survival of the fittest”.

PICASSO’S Blue Period canvas Femme aux bras croisés set a world record for the artist at auction on November 8.

As demonstration that one should always be alert outside one’s narrow field, it is worth citing the Civil War piece, pictured, that was offered in a Jewellery sale at Phillips London on October 3.

UK: The most comprehensive and perhaps the finest collection of early silver spoons to appear on the market since the 1960s went under the hammer at Woolley and Wallis in Salisbury last Wednesday (October 25).

The most startling result produced by the Allan Cuthbertson sale, Bonhams, London 3-4 October was an eight times estimate bid of £34,000 from Andrew Edmonds for a five volume set of The Caricature Magazine, or Mirror of Mirth.

LONDON: Highlight of the German and Austrian series from the Marvin & Janet Fishman Collection was Egon Schiele’s oil on canvas Portrait of the Art Dealer Guido Arnot, 4ft 7in x 3ft 7in (1.40 x 1.09m), signed and dated 1918 which sold at Sotheby’s in London for £6.5m (plus premium), more than twice its top estimate.

The market for 20th century German art proved dramatically selective last week when the much-promoted Marvin & Janet Fishman Collection came under the hammer at Sotheby’s on the evening of October 18.

In these days of raging prices for anything remotely decorative in the world of antiques, it is not often that you find something early, unusual and pleasing to the eye for little more than £500.

UK: Scholars probably know less about the makers of 18th century caddies and knife boxes than the little they have gleaned thus far regarding the makers of Georgian furniture.

UK: The unexpected crowd puller at Lyon & Turnbull’s 509-lot sale on October 8 was this Wanli period (1573-1619) Chinese blue and white ewer estimated at £400-500

LONDON: Renaissance period combined scaphe dial and astrolabe made by Arsenius of Louvain, dated 1563.

UK: THE Thames-side meadows at Christopher Gibbs’ Manor House in Oxfordshire contained a number of pieces of classical statuary with important provenances, but none proved so valuable as this unheralded stone model of a recumbent cow.

UK: The first celebrity house sale of the new millennium took place last week near Clifton Hampden in Oxfordshire, where noted aesthete and furnisher to the stars Christopher Gibbs was clearing his Victorian manor house under the auspices of Christie’s.

UK: DEVON dealers J. Collins & Son are well known for their stock of functional period furniture, but looking through their new catalogue of recent acquisitions most would be hard pressed to spot the exact function of the extraordinary piece pictured here.

UK: WHATEVER the privations of life in the Soviet Union, one could still enjoy a simple game of chess. But because official art is turned to the use of propaganda in every dictatorship, so the more opulent chess sets in post-revolutionary Russia became a metaphor for the struggle between communists and capitalists.