Auctions

The 20in (52cm) high dinanderie vase by Jean Dunand, pictured, right, with original black patina and sleek Art Deco outlines belying its early date of 1913, zoomed to €60,000 (£40,000), five times the estimate, at the Tajan (20.33% buyer’s premium) sale of 20th century decorative arts on March 4.

ALTHOUGH there were no blockbusters at the 778-lot February 20 sale at Charterhouse (15% buyer's premium), neither were there many casualties, with 86 per cent of the sale finding buyers.

A letter written and signed by Jean Harlow, which reveals an unexpectedly sensitive side to Hollywood’s original Blonde Bombshell, will go on sale at Byrne’s of Chester on Wednesday (March 31).

Few pieces of Victorian jewellery have survived in such sparkling condition as this Kashmir sapphire and diamond necklace which sold at Dreweatt Neate’s Donnington Priory saleroom near Newbury last week for £240,000 (plus 15/10% premium) – the highest ever price for jewellery at a provincial saleroom.

GRANTHAM auctioneers Golding Young, like many provincial operations, are changing their sales format this year, moving from specific “antique” sales and “general” sales to more inclusive events to meet the changing scene.

THREE large Art Deco plaster panels, two details shown right, which had lain unseen and unloved in the basement of a London property for years, had an extraordinary appeal which eluded both their owners and cataloguers judging by their reception at Wotton Auction Rooms (15% buyer’s premium).

YOU don’t see detailed architectural scenes that often on English porcelain. Such pieces are much more the preserve of Continental factories like Meissen, Sèvres or, most notably, Berlin. Their smooth, hard paste provides a better ground for the highly detailed, crisp painting these subjects demand. However, if topography is to be found on English porcelain, it is most likely be encountered on wares from the Derby factory which came nearest to emulating the Continental firms.

NOT every auctioneer, and certainly not every dealer, is happy with the coverage given to the antiques trade on television, but Norfolk auctioneers Holts (15% buyer's premium), who hold their specialist sales of antique and sporting guns in the suitably militaristic Duke of York’s Headquarters in Chelsea, have cause to be grateful for one TV series.

WEEKLY antique valuation days at their recently opened estate agency in Welshpool have begun to pay dividends for Shrewsbury-based auctioneers Halls (15% buyer's premium), and specialist Jeremy Lamond hopes that the firm’s presence there will help broaden their Welsh client base.

THE figures after Louis Taylor's (12.5% buyer's premium) March 8 & 9 sale at the Hanley salerooms added to auctioneer Clive Hillier’s belief that the whole antiques scene is considerably brighter now than it was last year. “The sale went better than I expected and comes on top of our generally weekly sales regularly totalling £20,000 to £25,000 against the £12,000-15,000 they used to take,” he said.

THE market for 19th century mahogany furniture remains, as Gloucestershire auctioneer Martin Lambert observed after Taylor & Fletcher, Humberts (10% buyer's premium) successful 455-lot mixed February 24 sale, extremely selective. But that is not a euphemism for moribund.

The well-worn cliché about everyone in the trade wanting to buy the same few pictures was certainly in evidence at the March 9 sale of British and Continental pictures at Bonhams (17.5/10% buyer’s premium) at Knightsbridge when this highly commercial oil-on-canvas view of the Piazzatta, Venice, indistinctly signed Viviani, came under the hammer with a highly tempting estimate of £2000-3000.

KIDSON-Trigg (15% buyer's premium) reported a healthy turnout for their 725-lot February 26 sale with steady interest for collectable ceramics such as Beswick and the better-quality furniture attracting a mixture of local and UK private and trade buyers.

IT is always in the interest of auctioneers and the trade to talk the market up, but there does seem to be a general consensus among auctioneers that business this year so far has got off to a frisky start.

IT could have come straight out of one of the author’s own stories – a lost archive of unique material valued at two million pounds uncovered in the offices of a London law firm after being missing for decades.

WHETHER it was coincidence or whether they were reaping the benefit from their new marketing strategy, David Duggleby (15% buyer's premium) noted a definite rise in business at their 347-lot quarterly outing on February 23 when buyers were found for 85 per cent of entries.

Shown right are two highlights from the sale conducted by John Bellman (15% buyer’s premium) of Newpound, Wisborough Green, on February 18.

FIFTEEN or so years ago works by the likes of Helen Allingham (1848-1926) and the Stannards of Bedfordshire had the sweet smell of success all over them. However, in more recent times the general consensus is that watercolours of this genre, which I loosely describe as “roses round the cottage door”, have slipped from favour.

A PORTRAIT of two of the ‘Scottsboro Boys’, illustrated right, topped this year’s sale of African-Americana at Swann’s when it was knocked down at $36,000 (£19,080). But there was also a bid of $20,000 (£10,600) on a group of 40 letters and telegrams addressed to Dickenson, Hill & Co. and S.R. Fondren, slave dealers of Richmond, Virginia, in the years 1836-62.

Bonham’s had no difficulty dispersing the first instalment of the mammoth collection of Worcester porcelain formed by Milton and Jeanne Zorensky, offered in their New Bond Street rooms on March 16. Just five of the 416 lots were left unsold and even these had all found buyers by the end of the day.