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The table pictured right was very much the star entry in a 230-lot sale of English and Continental furniture and works of art held at Bonhams (17.5/10% buyer’s premium) Bond Street rooms on November 26. It singled handedly accounted for a third of the entire £787,620 auction total when it made £260,000. Nothing else came near this in price, the next most expensive entry being a £19,000 Louis XV period marquetry commode.

Attentive readers of the Antiques Trade Gazette will remember the sale of the Lawrence R. Stack collection of English medieval coins at Sotheby’s in April 1999. He also had a good collection of French coins from the time of Henri IV (1589-1610) to about Waterloo. These were dispersed by Hess-Divo (15% buyer’s premium) in Zurich on October 24 in 380 lots.

ONE of the more expensive lots in this Cumbrian sale at Thomson Roddick & Medcalf on 6 November was an 1881 [Philadelphia] limited edition of the Complete Poems and Prose of Walt Whitman. An ex-library copy in well worn cloth and bearing a typescript note that it was bought “...at the sale of the library of the late Lord Rosebery”, it made £920. Some copies are signed, but the catalogue referred only to a manuscript limitation statement.

The Beano and Dandy were the first British comics to be published entirely in colour when they appeared within months of each other in 1938. With a cover price of two old pennies, this first edition Beano achieved the highest price ever paid for a British comic when bidding closed at Comic Book Postal Auctions in London last week.

Does the fine arts business warrant professional qualifications? What form should the education take? Should there be only one body representing the profession or several representing different aspects?

THE British Antique Dealers Association are advising members who qualify for compensation in the wake of the Sotheby’s/Christie’s price fixing case not to miss the claims deadline.

Birmingham auctioneers Fellows & Sons (15% buyer’s premium) are particularly known for their silver and jewellery sales but on October 29 it was a piece of furniture which took the top honours. A William and Mary walnut and crossbanded chest on stand had made £3400 when it was auctioned in 1998 by James & Lister Lea of Birmingham as part of the estate of the Late Mrs Joyce Cadbury of the Bourneville-based chocolate dynasty. Here it was punchily estimated at £4500-5500.

Over the last year or so there have been some worryingly disappointing results at London and New York auctions of 19th century British and Continental pictures. Bidding in London at Bonhams’ (17.5/10% buyer’s premium) November 19 sale of 19th Century Paintings, however, exhibited some much-welcomed signs of renewed solidity, with 64 per cent of the 182 lots finding buyers.

Rubens’ Massacre of the Innocents is to go on public display at the Art Gallery of Ontario in Toronto. Lord Thomson of Fleet, who set a record for an Old Master painting at auction when he paid £45m for the work at Sotheby’s in London in July, announced that the painting would join nearly 2000 other works in his collection at the gallery after it completes a $315m renovation and expansion.

There is still plenty of time to catch the Christmas show at the Fine Art Society, 148 New Bond St., who inform us that the exhibition in fact runs until December 21st and not the 11th as first reported in last month’s Decoration and Design.

THE prospect of tax relief for the maintenance of historic properties has come a step closer thanks to a new Government-backed study. If introduced, it could stem the disposal of works of art, whose sale currently funds 26 per cent of maintenance on such properties.

November 19 was a very busy day for silver fanciers, obliged to make a decision about which of a trio of overlapping London sales they wished to attend in person. As well as King Sreet's main sale, there were more standard offerings at Christie’s South Kensington and Bonhams Knightsbridge (each 17.5/10% buyer’s premium).

Historians have spent many enjoyable hours attempting to decipher the symbolism of pictures on the back of Georgian teaspoons such as those illustrated right. Like the club tie or the secret society handshake, the picture back teaspoon was an English gentleman’s discreet method of signalling loyalties to potential sympathisers when serving afternoon tea.

Russian Works of Art: ALTHOUGH like the silver sale that preceded it, the buying mood was selective for the 343 lots of Russian works of art offered by Sotheby’s Olympia on November 21, it still totalled a respectable £684,000 for the 215 lots that changed hands.

The name Stanley J. Seeger will be familiar to many art collectors and auction goers for there have already been no fewer than five auctions of his works of art and pictures since 1993, ranging from 88 works by Picasso sold in New York to Contemporary art in Milan and 18th-20th century British pictures in London.

With the recent closure of numerous manufacturing depots belonging to a Cardiff company, the time came to dispose of items from the manager’s flat. The best of these items, all of which were sold on November 20 at the Cardiff rooms of Anthemion Auctions, was this Regency mahogany secretaire bookcase.

Five days after Sotheby’s auction, a smaller, 152-lot Russian sale comprising works of art and pictures went under the hammer at Christie’s South Kensington’s rooms on November 26 and here too buyers picked over the contents with 60 per cent changing hands.

LONDON-based Brian and Anna Haughton are moving their International Ceramics Fair & Seminar from the West End to the Commonwealth Centre in Kensington where it will be staged in conjunction with a new event, The London Asian Art Fair.

The market for high-value Victorian pictures took a downturn last week when Christie’s and Sotheby’s Important British Picture sales posted some worryingly high levels of bought-ins.

The upside of Asian art in London is that the volume of sales pulls in all the Asian and international buyers. The downside of this concentration is that scheduling without overlap is difficult and buyers inevitably pick their way through all those goods selectively. Christie’s South Kensington, who fielded a marathon 600-plus lot Chinese auction on November 14, felt both effects.