Europe

APART from sporadic themed sales held by provincial auctioneers, Camard’s main rival on the French poster auction scene is the Paris-based dealer Frédéric Lozada, who has instituted regular 1000-lot sales in Versailles (the one in late October brought over £250,000) and, most recently, in Lille, where he offered 1120 lots under the Wattebled hammer on December 11-12.

BELGIUM: LIEGE was an important silver centre in the 18th century under its wealthy prince bishops, so it is no surprise that these days the city hosts some of Belgium’s leading silver sales.

Luxury goods magnate Bernard Arnault finally abandoned his attempt to compete with Christie’s and Sotheby’s at the top end of the art market last week when he sold his remaining 27.5 per cent stake in troubled auction house Phillips to its joint chief executives Simon de Pury and Daniella Luxembourg.

Gino Severini’s Les objets deviennent peinture (vase bleu et maïs) was one of the most significant lots in Christie’s 310-lot auction of Contemporary art in Rome on December 18. Dating from 1965, this picture was the last oil still life he was to paint and, indeed, one of the last works to be finished before his death.

A full-length Plains Cree Indian male costume from Saskatchewan River in Canada, consisting of a moose-hide shirt, pair of bottom tab leggings, and pair of soft-soled moccasins, sold for €130,000 (£83,300) at Millon & Associés (17.5/13.5% buyer’s premium) on December 2.

NOW in its 42nd year, the Stuttgart Antiquarian Book Fair will be bigger than ever when it runs from January 31 to February 2 at Wurttembergischer Kunstverfein.

There were two surprising results at the Lempertz Asian Art sale in Cologne on November 22-23. This large, anonymous Japanese 17th/18th century Indian ink and watercolour, Daimyô in Kamishimo with tachibana weapons and two swords on a tatami mat, paper 4ft x 2ft 10in (1.22m x 86cm), right, soared 100 times estimate to make €80,000 (£51,300).

CHRISTIE’S have unveiled some major changes for their 20th century decorative arts policy in Europe. The auction house have closed their King Street department and are concentrating all their London activities in decorative arts at South Kensington. They also want to develop and raise the profile of this field in France with regular dedicated auctions in Paris under specialist Sonja Ganne.

LAUNCHED next September, a new biennial fair organised by France’s national dealers’ association, the Syndicat National des Antiquaires, will be called Le Salon du Collectionneur – Paris.

One of the 2003 saleroom highlights in Paris promises to be the auction of the Collection of André Breton (1896-1966). The 5000-lot collection, consigned by Breton’s daughter and granddaughter, is expected to bring around £20m and will be sold in 24 sessions under the Calmels-Cohen hammer at Drouot from April 1-18.

Tajan, who have made cartoons and comic strips into a saleroom speciality, claimed a saleroom first on November 30: a pioneering opportunity for fans of Lucky Luke, the self-styled “poor lonesome cowboy”, to buy an original plate by his artist Morris.

Christie’s and Sotheby’s failed to establish saleroom predominance in Paris in 2002, the first full year in which, thanks to France’s recent auction reform, they have been allowed to stage auctions on French soil.

Attentive readers of the Antiques Trade Gazette will remember the sale of the Lawrence R. Stack collection of English medieval coins at Sotheby’s in April 1999. He also had a good collection of French coins from the time of Henri IV (1589-1610) to about Waterloo. These were dispersed by Hess-Divo (15% buyer’s premium) in Zurich on October 24 in 380 lots.

François Curiel, head of Christie’s France, has set a precedent by winning permission to direct sales in France. It is the first time that the Conseil des Ventes, France’s auction watchdog, has authorised anyone who has not passed the traditional commissaire-priseur’s exams to hold the gavel.

This tiled panel advertising Champagne Mercier was one of a rare ensemble of six panels made in the early 1920s, each 5ft 9in x 2ft (174 x 62cm), on offer under the Prunier hammer in Louviers (14.95% buyer’s premium) on November 17. The other tiled panels, accompanied by two landscape friezes, also advertised drinks (Rhum Negrita, St Raphaël, Guillot Triple Sec, Quenot Dijon cassis, Fine Legrand cognac), and were marked G.F.C. France for Gilardoni Fils & Compagnie of Choisy-le-Roi, near Paris.

A new French nationwide auction grouping, Ivoire, was officially launched in Paris on November 21. The group includes auctioneers from three major cities (Lyon, Marseille and Toulouse) and nine other provincial towns (Aix-en-Provence, Avignon, Cannes, Chartres, Clermont-Ferrand, La Rochelle, Rheims, Saumur and Troyes).

The paintings of Edwin Long (1829-1891) are well known to London’s gallery visitors, since there are works by him in both the National Portrait Gallery and the Royal Academy, but many of his works have long been lost or forgotten.

In Cologne on October 26 W.G. Herr (18% buyer’s premium) staged a Jubilee sale to mark their 50th auction in the cosy Friesenwall gallery where, as he puts it, Werner Herr has been “swinging the hammer” for 20 years.

The importance of clear due diligence in dealings has been highlighted by an Irish court overruling the country’s statute of limitations on stolen goods in a civil case.

The 12th specialist textiles sale under the Rossini (17.342% buyer’s premium) hammer at Drouot on October 9 attracted keen trade interest, with 76 per cent of the 550 lots sold, yielding a hammer total of some €430,000 (£270,000).