Oil, Acrylic paintings & Mixed Media

Paintings are usually referred to in terms of the medium used. Oils on canvas or board remain the most commonly seen works on the market but many modern artists have favoured acrylics or combinations of different paints.


Colouring in the Waters, or Shades of Urine…

16 January 2003

Fully coloured as intended, and presumably under the direction of the author/publisher, the uroscopic woodcut reproduced right is found in an internally fine copy of Ulrich Pinder’s Epiphanie medicorum… printed in Nuremburg in 1506 and is intended to show different shades of urine.

Germany wants war-looted portrait back from Wales

18 December 2002

Understandably, the Russians left this one behind when they liberated the Reichstag in 1945, but a Tommy NCO with a sense of humour decided to rescue this beleaguered portrait of the First World War German Field Marshall and Weimar president Paul von Hindenburg, right, from the ruins and take him back to the West Country.

Golf lightens Scottish gloom

18 December 2002

WHILE the Irish picture market continues to boom, the Scottish market showed serious jitters at Bonhams Edinburgh (17.5% buyer’s premium) on the evening of December 5.

£1.35m Munnings is clear winner

13 December 2002

Thanks to the combination of sporting subject matter and extremely slick technique, Sir Alfred Munnings (1878-1959) continues to be one of the few early 20th century British painters to command a truly international following among the world’s richest private collectors.

New York art sales beef up the market

11 November 2002

OF the three new world auction records taken at Christie’s Rockefeller Center saleroom on the evening of November 6, two of them were for pieces of sculpture. This follows on from Christie’s success in the May Impressionist and Modern sales, their best – as Sotheby’s were for them – for some time, when Constantin Brancusi’s 1913 bronze Danaïde took $16.5m (£11.6m), the highest price for any piece of sculpture sold at auction.

Hepworth doubles hopes

23 October 2002

Over the last 10 to 15 years, the market has undergone a slow but steady shift towards 20th century painting in particular the Post-War abstraction of the St Ives school whose geometric shapes and pure blocks of colour are wholly in tune with contemporary tastes.

Girl’s revealing tassel

23 October 2002

“Marvellously dotty” was how Peyton Skipwith of The Fine Art Society chose to describe this 14 by 12in (36 x 30cm) oil on panel by Rex Whistler (1905-1944). Entitled Miss Muffet, the panel depicts the moment when, sat upon her tuffet eating her curds and wey, a spider sits down beside the well-known nursery rhyme character.

For Lowry on a budget – Delaney

08 October 2002

For those who can’t afford paintings by L.S. Lowry, the Manchester townscapes of Arthur Delaney (1927-87 appear to be becoming an increasingly popular substitute.

The leader of the pack

23 September 2002

With the government still dithering over whether and when it should put a bill banning hunting with dogs in England to the vote in the House of Commons, it could hardly be a more ironic time for Sotheby's to be auctioning the only known portrait of the 'Father of Foxhunting' and the founder and first Master of the Quorn Hunt.

A Sharp reminder of quality sparks £41,000 bids battle

23 September 2002

Quality paintings have been extremely thin on the ground in the provinces in the last few weeks, but this Dorothea Sharp (1874-1955) oil did at least create a stir at the Leominster rooms of Brightwells (15% buyer’s premium) on August 29 when it climbed to £41,000 against an estimate of £3000-5000.

From a golden age, a house painter called Sally

18 September 2002

ONE of the more unusual characters of the so-called ‘Golden Age’ of Danish art was Sally Henriques (1815-1886). Firstly, contrary to what the name might suggest, Sally was a man. Secondly he was Jewish. And thirdly he painted for just four years from 1841-45 before becoming – in a neat reversal of the career of Georges Braque – a house painter.

Mellon’s appeal grows wider

10 September 2002

It wasn’t until Campbell Archibald Mellon (1876-1955) retired from business at the end of the First World War that he devoted himself to painting. He moved to Gorleston-on-Sea in Norfolk and the bulk of his artistic output is focused on the beaches and holidaymakers in the area.

Green bags the top shot at Gleneagles

03 September 2002

This large Highland hunting landscape by John Frederick Herring Senior proved to be the highlight of Sotheby’s annual auction series held last week at the Gleneagles Hotel in Scotland, when it sold for £470,000 (plus 19.5/10% premium) to London dealer Richard Green Fine Art bidding on the phone.

Highlands near high point

29 August 2002

ON July 23 Bristol Auction Rooms (15% buyer’s premium) took the second highest price at auction for an oil by Hampshire artist Henry Garland (1854-1900). Back in December 1998 Bonhams Knightsbridge took a premium- inclusive £12,650 for the 3ft 4in by 5ft 7in (1.02 x 1.70m) oil Village Gossips.

Carrà goes boom in May…

07 August 2002

ITALY: A record price for a painting by Carlo Carrà was established in Italy back on May 21 in a sale of contemporary art held by Christie’s in Milan.

War was mere childsplay for Habsburg emperor

26 July 2002

Ferdinand Georg Waldmüller’s small 1832 child portrait of the future Kaiser Franz Joseph as a Small Grenadier playing with toy soldiers, right, panel 13 x 11in (33.5 x 28cm), led the Wiener Kunst sale in Vienna on June 11 with a low-estimate €150,000 (£97,000).

Hole in one for Scottish gallery

24 July 2002

JUST as the world’s top golfers were teeing off for The Open at Muirfield last week, Scotland was celebrating another hole in one. Grants totalling more than £2m from the Heritage Lottery Fund, the National Arts Collection Fund, the Royal and Ancient Golf Club, St Andrews and private benefactors meant that the Scottish National Portrait Gallery could acquire the nation’s most important golfing painting, Charles Lees’ (1800-1880) oil on canvas, The Golfers (1847).

1529NE03A.jpg

Rubens masterpiece joins the world record holders at £45m

17 July 2002

History was made at Sotheby’s July 10 Old Master Paintings sale when Sir Peter Paul Rubens’ long-lost masterpiece, The Massacre of the Innocents, sold in the room to the Mayfair-based book dealer Sam Fogg for £45m, the highest auction price ever achieved for a work of art in the UK.

Reading between the cracks

12 July 2002

Every picture tells a story, but in the case of Théodore Chassériau’s large portrait of Comtesse de Latour-Maubourg, it was condition as much as content that revealed the artist’s state of mind at the time.

£360,000 Osborne backs claims of Irish Sellers

19 June 2002

IRISH auctioneers have long been adamant that Irish pictures sell better in Ireland and certainly the 71 per cent sold by lot achieved at James Adam (15% buyer’s premium) in Dublin on May 29 was only just shy of the 76 per cent by lot selling rate taken at Christie’s Irish sale in London on May 17.

Categories

News