Decorative Art

SOME of the regular buyers at this 424-lot dispersal at BBR Auctions on 28 April deemed it the “best selection yet” even though it had fewer Prattware pot lids and less blue and white Cornishware than usual. But this was made up for with an unusually large number of pie funnels and a good range of kitchen utensils and cream pots.

There was a French auction record for Sèvres under the Ferri (17.94%/ 11.96% buyer’s premium) gavel at Drouot on May 24 when the large Empire period fuseau vase, shown here, was offered for sale.

TILES: Tiles seem to be the new hot collecting area in British decorative ceramics. Following on from a sellout exhibition at Richard Dennis’s shop in Kensington last year, Bonhams held a sale of ceramic design in January that featured a large collection of De Morgan tiles which were pursued by a determined band of private collectors to prices that rivalled those of the pottery’s striking hollowwares.

The smallest (but not the smallest grossing sale) in the London rooms last month was the 115-lot, £581,000 gathering of 20th century Decorative Arts offered by Christie’s King Street on May 15.

Mention rare animals to a Lowestoft resident and you are likely to be directed to Suffolk’s only wildlife park on the outskirts of town, where African lions and ring-tailed lemurs roam the saltmarshes.

THIS wig powderer was made in York in 1817. Described in Michael Clayton’s book The Collector’s Dictionary of Silver & Gold of Great Britain & North America as “a tapering cylinder, from the cover of which rises a tube with a mouth of spherical form,” this type is dated to around 1800.

This Chamberlains Worcester yellow ground beaker-shaped vase c.1802, painted with a figure emblematic of Fame and supporting a miniature of Admiral Lord Nelson to commemorate the battle of the Nile, appeared at Law Fine Art on May 22 with an estimate of £4000-6000, having been consigned by a “Middle England” collector.

More Renaissance items came up at Arsantiqva (15% buyer’s premium) at the Westbury Hotel on April 19 with the first of three tranches of material relating to the serene city of Venice.

PRE 1921 the Poole pottery firm, one of the most innovative of the 20th century British potteries, was known as Carter & Co. Headed up by Jesse Carter, the firm produced very few domestic wares focusing instead on tiles and architectural and garden ceramics.

THE jewellery and vertu at Tennants’ sale was led by a pair of 2ct diamond ear studs at £9200 but more eye-catching among the vertu was this forerunner of the Swiss Army knife, right.

Clarice Cliff: The latest auction foray into the colourful world of Clarice Cliff at Christie’s South Kensington (17.5/10% buyer’s premium), May 2, did not perform as well as previous specialist sales. Buyers were only found for 62 per cent of the 302 lots compared to their last Clarice Cliff outing in November 2001 that boasted a higher 72 per cent take-up for the 430 lots.

AT the end of this week the Gilbert Collection at Somerset House in London will unveil a new display of one of the most outstanding collections of silver.

Over the years, car mascots have been used to advertise not merely the marque of the machine but also as good luck charms and were patriotic symbols during the First World War. In the mid-Sixties, car mascots were banned in the UK, being deemed a ‘danger to public safety’ because of the injuries they could cause in collisions. Since then, naturally, their collectabilty and value has steadily increased.

Jewellery and silver enthusiasts were catered for in Ireland as well as Wiltshire during April as private buyers flocked to O’Reilly’s (15 per cent buyer’s premium) sale of gemstones and silver in Dublin on April 10.

OFFERED as part of a March 28 sale held by Pacific Book Auctions was a set of six porcelain plaques painted by John Tenniel with characters from Alice in Wonderland.

Royal Doulton and Moorcroft collectors are always in abundance at these sales in the heart of the Potteries, and if their specialisms within their subjects sometimes make for hard going at the rostrum, the increasing demand for Royal Albert pieces was well catered for.

A pair of ornamental blue and gold vases made by the Manufacture Impériale in St Petersburg (c.1825-30) soared to €520,000 (£335,000) at Beaussant-Lefèvre on April 10.

Over the last six months Amersham Auction Rooms have reported an increase in prices for ceramics and collectables in contrast to static or falling bids placed for furniture.

One of the main preoccupations of the 19th century art potters – and a distinguishing feature of much of their work – is an emphasis on hand crafting and experimental work and an interest in the techniques and glazes of earlier periods.

The elegant Château d’Enghien, 30 kilometres south west of Brussels, will once again play host to the Belgium ceramics fair next month, from May 1-5.