Decorative Art

IT’S been a long time since any auctioneer chose to illustrate his catalogue front cover with an array of silver candlesticks but this was the rather heartening decision by The Bristol Auction Rooms for their April 8 sale (12.77% buyer's premium inc. VAT) and their enlightened, so to speak, move was rewarded when all the lots, from George IV to 1967, sold within or above the admittedly modest three-figure expectations.

AFTER 15 years in the glass business, Cheshire organiser Patricia Hier knows her field well and it shows at her twice-yearly National Glass Collectors Fair, the next of which will be held at the National Motorcycle Museum, West Midlands on Sunday May 11.

Devon auctioneers SJ Hales (15 per cent buyer’s premium) have moved to a wider field than the ceramics, and particularly Staffordshire, on which they founded their reputation but this area remains their strength. The 500 varied ceramic lots and nearly 200 Staffordshire pieces took most of the better prices among the 1500 offerings at the new Bovey Tracey rooms on March 12 and 13.

Getting Sotheby’s Olympia’s (20/12% buyer’s premium) 288-lot April 2 sale of British and European Ceramics off to a brisk start was a well received section devoted to early Italian maiolica, Dutch Delft and other tin-glazed earthenwares.

Illustrated are a pair of ice pails, covers and liners from the Duke of Newcastle’s Derby porcelain service, c.1797, dispersed by Mellors and Kirk in Nottingham on April 10.

IT’S not often that Britain recovers a highly important work from the United States – most of the traffic is usually the other way. However, Norfolk Museums Service are celebrating silver dealer Christopher Hartop’s triumph in negotiating the return of Sir Robert Walpole’s sterling silver tureen, which has now been put on show in the silver gallery at Norwich Castle.

Minton did majolica just a bit better than anyone else – not just in their large monumental and sculptural pieces but also in the smaller and more mundane wares.

The death of Walter Moorcroft last year and the strong prices at Sotheby’s recent dispersal of the Wade collection have reinforced the popularity of this market, especially for the earlier Macintyre wares. A small collection at Bonham’s sale in Bury St Edmunds yielded the following results.

The Oriental glazes of the Midlands Arts and Crafts pottery known as Ruskinware have proved remarkably popular in the past year, as the disposal of the Wade collection at Sotheby’s and the Birkett Collection at Bonhams took prices in this market to unprecedented levels.

Top price in the latest round of ceramics sales in London was the £22,000 paid at Christie’s King Street rooms on February 24 for this 9in (23cm) wide mid-17th century delft posset pot.

Caughley Porcelain has been on the up recently, gaining in followers and in value. Enthusiasts for this Shropshire factory will doubtless want to make their way to Stockspring Antiques next month for what looks to be an interesting loan exhibition under the title Paul Sandby and Caughley Porcelain.

The market for early dated Delftware showed its claws at the Shrewsbury salerooms of Halls on March 7, where this 5in (13cm) tall tin-glazed earthenware cat jug from 1677 was auctioned with expectations of £20,000-25,000. Spotted by auctioneer Jeremy Lamond hiding behind a much-admired Royal Crown Derby saucer (worth £20-30) on the mantelpiece of a Warwickshire home, the chipped and fritted feline was added to a select group of a dozen jugs, nine of which are dated.

Unseen hoards of silver like this don’t appear on the market very often, so it is little wonder that the UK trade were out in force when it came under the hammer at Christie’s Amsterdam’s (23.2% buyer’s premium) Dutch and foreign silver sale on March 4. The wealth of silver came to light when part of a cellar wall collapsed during the demolition of a house on Breitenstrasse in Bad-Hersfeld, Germany in February 1967.

The little underglaze blue decorated cream pails or piggins made by Lund’s Bristol around 1750 are very rare specimens of English porcelain. Only six examples are known to exist, three of them now in museums, so West Country auctioneers Bearne’s were very pleased to offer this 23/4in (7cm) wide example, which they discovered in a local, private Devon house during a routine insurance valuation.

This 19th century George Jones majolica game pie dish and cover led the way at Lawrences (11% buyer’s premium) three-day event, held at their rooms in Bletchingley between February 4 and 6.

FAMILY deaths and property downsizings still account for the majority of goods sold at auction, but lifestyle options are increasingly a factor. At Andrew Hartley’s sale the decision by a local vendor to part with her Chiparus figure to pay for an extension on her new home was almost as cutting edge as the Yorkshire man who ditched this collection of modern glass, some shown left, by Lancashire master blower John Ditchfield to pay for a holiday in the Far East.

IF THERE is one objet d’art that best characterises the antiques market at present it is the curate’s egg – good in parts, but bad overall. The flawed ovum’s brighter regions encompass most low-value collectables – ceramics included.

BESWICK is one of the strongest areas of the 20th century collectable ceramics market so it was not surprising to see trade and private collectors packing these Leicestershire rooms at Gildings to bid on a large single-owner collection from a local deceased estate. What was surprising were the lengths to which bidders would go.

In November of last year this documentary Chamberlain’s Worcester ‘D’ shaped bough pot and cover sold at a West Country saleroom to a private collector and sometime dealer for £2700.

English glass doesn’t generally compete with Continental for price, so anyone just looking at the top results from Sotheby’s mixed-owner auction held the day before their Japanese museum dispersal might have got the erroneous impression that home-produced material had played a low-key role.