Ring

It was not catalogued as such, but this silver ring modelled as a standing lion with a gold-coloured mane is designed by Moshe Oved (1885-1958), the owner of celebrated Bloomsbury antique shop Cameo Corner where jewellery expert John Benjamin first learnt his trade.

This early medieval gold ring dates to the time of the Crusades – its decoration of a five-fold ‘Jerusalem’ cross suggesting a link with the Knights Templar.

Out of favour for a generation, grand tour and ancient intaglios and cameos are enjoying a return to form.

The November 18 sale titled California Jewelry held by Doyle New York on the West Coast includes a group of French Art Nouveau pieces described as ‘Property from an Important Jewel Collector’. Several display the plique-à-jour (‘letting in daylight’) enamelling technique revived in the late 19th century.

A poignant background story or strong suggestion of original ownership greatly adds to the appeal of early jewellery finds often unearthed by metal detectors

Interest in glyphic art, which reached its collecting apogee during the Grand Tour collecting, is resurgent once more.

Pictured here is a Renaissance ring set with five point-cut diamonds – typical of the most opulent jewels produced in 16th century Venice. It forms part of the 35-piece private collection of precious stone dealer Benjamin Zucker that will be offered for sale at Les Enluminures in New York from October 24-November 9.

Coloured diamonds aside, rubies command higher prices per carat than any other gemstone. Graded using the traditional criteria of the four Cs (colour, cut, clarity and carat weight), they are also evaluated on the basis of geographic origin with the stones from Burma commanding the most interest.

The jewellery sale at Woolley & Wallis in Salisbury on October 30 includes over 60 engraved gems – both ancient and Neoclassical – from several single-owner collections. A selection of rings is pictured here:

More reliable today than they ever were in their lifetime, the male line of the Stuarts attracted the familiar devoted following at the annual Scottish Silver & Applied Arts sale at Lyon & Turnbull (25% buyer’s premium).

This gold ring mounted with an oval intaglio of the Roman god Mars made a multi-estimate £9000 at a sale of jewellery at Salisbury saleroom Woolley & Wallis (25% buyer’s premium).

It was on the battlefield of Balaclava on October 25, 1854 that the name of James Brudenell, 7th Earl of Cardigan (1797-1868) first became etched into public memory.

A local family that could trace a clear line back to the 1750 was the consignor of this gold, white enamel and citrine mourning ring to Henry Adams in Chichester.

Estimated at just £150-200, a sardonyx cameo ring sold to a dealer for £39,000 (plus 20% buyer’s premium) at auction.

From c.1969-75, Charles de Temple (b.1929) – the son of the American film actor Tom Mix – created his series of ‘nervous jewels’, employing prickly cultural designs in two-coloured gold wire. This 18ct gold and beryl dress ring is a good example.

Woolley & Wallis followed the Shannon collection with a mixed-owner sale on November 1. Together the auctions brought a premium-inclusive £2.1m.