Chinese Works of Art

SCATTERED amongst the colourfully decorated but fairly routine European-taste 18th century famille verte and famille rose bowls, plates and tea services that comprised the bulk of Christie’s King Street’s (19.5/12% buyer’s premium) 214-lot European collection of Chinese Export ceramics on May 11 was a handful of more unusual entries for which buyers paid a premium.

THERE is nothing like a modestly estimated, old English collection of Chinese art to lure London’s specialist trade to the provinces.

INEVITABLY fairs dominate June in London but there is also much activity in the galleries and showrooms with dealers taking advantage of the influx of serious collectors and trade into the capital.

MAYFAIR dealers in things tribal, unusual and exotic, the Gordon Reece Gallery, are currently holding one of their periodic selling exhibitions of antique Chinese furniture at 16 Clifford Street, W1.

THE Orient provided the most eye-catching highlights at Rupert Toovey's (15% buyer's premium) March 17-19 sale, in the form of a set of four Japanese Satsuma plates signed by Kinkozan and an 18th century Chinese bamboo carving.

THE Bonhams empire has embraced the notion of niche markets in pragmatic fashion, each of the various outposts having its own speciality – while the Scottish branch, which sells across the range of the market, breaks its sales into single specialist offerings. On March 18 Bonhams Edinburgh (17.5/10% buyer’s premium) offered 375 pieces of jewellery and silver with the following day’s sale comprising 198 items of Asian art, ceramics and glass.

THERE may be a long-established tradition of collecting Chinese ceramics and works of art in the West, but the highly specialist knowledge of the language and culture required to appreciate Chinese painting from anything more than a decorative point of view means most serious collectors and dealers are based in the Far East.

ONE of the most acclaimed exhibitions of the late March Asian Art Week in New York was London dealers’ Rossi & Rossi’s show Styles from the Steppes: Silk Costumes and Textiles from the Liao and Yuan Periods.

TWO albums of 19th century Chinese photographs assembled by a British diplomat sold for £5200 in a general antiques sale held by Sworders at Stansted Mountfitchet, on March 30.

FOR many collectors, the finest quality 18th century Qing dynasty mark and period porcelain is the holy grail of Chinese ceramics, but connoisseurs have long revered the understated aesthetic and classic simplicity of the Song dynasty’s (960-1279AD) monochrome glazed ceramics.

FOUR house clearances of properties each valued at over £1m meant some long and frantic hours of valuing and cataloguing for Wellers (15% buyer's premium)auctioneer Tim Duggan – three heavy weeks rewarded when the March 13 sale day was one of the best ever at the Surrey rooms with 95 per cent of the 1200 lots getting away notching up a total of well over £100,000.

With the Chinese economy expanding at an unprecedented rate, and Chinese tourists becoming increasingly numerous in Europe, China Trade paintings are an area of the art market that might prove a cannier investment than most.

Shown right are two highlights from the sale conducted by John Bellman (15% buyer’s premium) of Newpound, Wisborough Green, on February 18.

THE large number of increasingly wealthy mainland Chinese dealers and collectors participating in UK auctions are pushing up the prices in certain sectors of the market, including 19th century Chinese-taste ceramics. In the past this area has largely been overlooked in favour of imperial porcelain from earlier periods, but with the best 18th century mark and period routinely commanding six-figure sums, 19th century ceramics must look good value for money.

This Kangxi period (1662-1722) blue and white porcelain brushwasher was a cut above other entries in Stride & Son’s (15% buyer’s premium) 1007-lot Chichester outing.

It wasn’t just top pieces of Americana and Old Master paintings that occupied the salerooms in New York last month, there was also a good selection of Chinese Export porcelain on offer. Christie’s were selling the third installment of the Benjamin Edwards III collection of Export Porcelain on January 20 plus an interesting mixed owner selection in their Captains and Kilns ceramics auction on the same day.

Private consignments of Chinese porcelain are increasingly difficult to source and competition is rife between provincial and London rooms. Prices regularly spiral for the best quality works whether they are offered in the provinces or in the capital.

Gone are the days when collectors could afford to ignore anything but the finest quality early 18th century imperial porcelain in mint condition. The burgeoning of interest in this field from Far Eastern collectors has ensured that when such pieces come under the hammer, the prices realised are out of the reach of all but the seriously wealthy.

Dealers and collectors with money in their pockets at the end of Asia week were rewarded with a trip to Christie’s South Kensington (17.5/10% buyer’s premium) on November 14. The room was full for this 478-lot auction, with mainland Chinese and Far Eastern buyers interested in two conservatively estimated, market-fresh, non-European collections of Chinese calligraphy brushes and archaic jades.

THE Chinese-born, French-based artists Zao Wou-Ki and Yan Pei Ming, who both featured among the successes at FIAC Paris, were also in demand at the sale staged by Cornette de St-Cyr (20.33/11.96% buyer’s premium) at Drouot Montaigne on the evening of October 11.