Asian Art

This broad umbrella category comprises everything from Qianlong vases to Islamic calligraphy. Asian art has been collected in the West over many generations and inspired many famous European productions. An example is the Japanese porcelain from the Kakiemon kilns, the styles of which that became adopted by European factories such as Meissen. 

Today, demand from Asian buyers has lifted the market of works in this sector across the world.

Coming up...in Paris

19 June 2002

THIS most unusual looking beast is expected to be the star lot at a sale to be held in Paris on July 4 at a most unusual location, the pagoda-like Maison Chinoise, rue de Courcelles, Paris 8.

London wins international battle for £75,000 China trade pair

14 June 2002

Nanking means to most people the rape of that city by the Japanese; to ceramics collectors it conjures up memories of the Nanking Cargo, but in the specialist picture market it is the place where the 1842 treaty was signed opening up five ports to British merchants “without (molestation or restraint”.

Castes and careers in watercolour

09 May 2002

As well as Christie’s main Islamic arts sale at King St, there was a larger 427 lot event covering the same general areas at middle-ranking level in their South Kensington (17.5/10% buyer’s premium) rooms on April 25.

An answer to all prayers

09 May 2002

This unusual looking piece from Ottoman Turkey, pictured right, provided one of the highlights of Bonhams’ Islamic sale on April 24 when it sold for £40,000.

Dallying deity pulls in the bids

17 April 2002

NEW YORK: They say that sex sells, but it would be wrong to assume this was the only attraction of this 18th century Indian illustration to the Gita Govinda, Krishna and Radha Make Love, 1775-1780, 101/8in by 61/8in (25.7cm x15.6cm).

Trade and private buyers compete vigorously for the most desirable pieces… with mixed results

17 April 2002

There were auction highs and lows during New York’s March Asia week that saw Sotheby’s (20/15/10% buyer’s premium) and Christie’s (17.5/10% buyer’s premium) hosting eight sales in four days, from March 19-22.

Shining gems of the East

17 April 2002

Glass from Islamic Lands by Stefano Carboni, published by Thames & Hudson in association with The al-Sabah Collection, Kuwait National Museum. ISBN 0500976066. £40 pb

Not to be sniffed at

17 April 2002

Christie’s, Blanche B. Exstein Collection of Fine Snuff Bottles, March 21: Snuff bottles may not be to every collector’s taste, but Christie’s Blanche B. Exstein Collection of Chinese Snuff Bottles achieved that rarest of auction phenomena: a 100 per cent sell-out by lot and by value.

Korean wares dominate

17 April 2002

Japanese and Korean sales: Although only Christie’s held a Japanese and Korean auction, trade and private buyers still came to New York to bid at auction and buy Japanese and Korean works of art at the fairs and from dealers’ exhibitions.

Ahead of the field

03 April 2002

Christie’s and Sotheby’s may not have had a vintage New York Asian Art series this March, but private and trade buyers continued to compete for the best quality fresh-to-the-market entries.

Himalayan experts off to conquer the Big Apple with Buddha

22 March 2002

NOTED St. James’s Asian specialists Rossi and Rossi leave their Jermyn Street showrooms for New York this month for an exciting show which runs until March 26 at the galleries of Dickinson Roundell, 19 East 66th Street.

Experts spot £16,500 Ming vase

06 February 2002

AUCTIONEER Mark Bowman is hardly the first auctioneer to be taken aback by the price achieved by a piece of Oriental porcelain, and not just at provincial rooms like his operation at the Wotton Auction Rooms (10% buyer’s premium).

Endless appeal of Infinite Life

31 January 2002

A large, gilt-copper altar statue of Amitayus, the Buddha of Infinite Life, on a lotus flower base, right, 3ft 2in (96cm) tall and hailing from Inner Mongolia/Dolonnor or China (c.1700), proved the main attraction at Nagel’s Asian Art sale in Stuttgart on November 10, selling for DM420,000 (£134,000).

Sotheby’s rethink approach to Japanese sales

07 January 2002

Japanese works of art sales will no longer be held on a regular basis by Sotheby’s New York. Specialist Sachiko Hori will be retained by the company, while her co-director Ryoichi Iida will become a consultant.

£54,000 Chinese gem charms London specialists

13 December 2001

COINCIDING with London’s Asia week, the 507-lot sale held by Gilding’s (12.5% buyer’s premium) at Market Harborough on November 13 featured this blue and white six-character mark and period Qianlong (1736-95) meiping, right, on its front cover.

Northeastern promise

28 November 2001

Individual entries consigned to Sotheby’s and Christie’s Chinese sales were an encouraging reminder to any jaded dealer that if you look hard enough and long enough, sleepers are still to be found.

Top heavy price for pear-shaped vase

28 November 2001

Chinese sales at Christie’s South Kensington (17.5/10% buyer’s premium) can always be relied on to produce some good prices during Asia week. While the morning works of art session in their Chinese Ceramics and Works of Art sale, November 8, was quiet, business picked up in the afternoon for the ceramics section.

Chinese sleeper goes at ten times estimate

08 November 2001

THIS 619-lot ceramic and clock sale at Phillips Chester did not boast such a high take-up as Phillips’ Bury St Edmunds auction but the 60 per cent that did manage to get away sold to the tune of £73,170.

Qianlong (1736-95) mark and period dragon vase

05 November 2001

Early Qing imperial porcelain has long been the darling of the Hong Kong Chinese auctions so when a Qianlong (1736-95) mark and period dragon vase with a previously unpublished pattern came up at Sotheby’s (20/15/10% buyer’s premium), Hong Kong on October 29, sparks flew and an auction record was set for a piece of Qianlong porcelain.

Bodhisattva’s body satisfies

01 November 2001

The show stopper at Christie’s Indian and Southeast auction on October 17 was this sublime grey schist Gandharan bodhisattva, 2/3rd century. The drapes of the robes falling about his body contrast with his powerfully carved bare chest, as he stands gazing ahead with a fixed stare.

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