Asian Art

Asian art in London, the annual nine-day celebration of the capital’s artistic, academic and commercial expertise in the Asian art field, was in full swing last week with auctions, dealers’ shows, lectures and exhibitions. The highlight of this year’s Asian auction series was this Chinese 15th century Chenghua mark and period ‘Palace’ bowl, part of the collection formed by the 2nd Baron Cunliffe offered at Bonhams on November 11 where it sold for £820,000 (plus 17.5/10 per centpremium).

The results of Hong Kong’s October Asian series underscored the increasing polarity in this market in which there seems no limit to collectors’ and dealers’ insatiable desire for the best Qing dynasty mark and period porcelain or quality Chinese works with good provenance, but little interest in more standard Oriental fare.

FEW would argue that Mayfair dealers Eskenazi are at the top of the international tree when it comes to dealing in Oriental art, and the November exhibitions at their Mayfair gallery are seen by a good many as the flagship selling show of the Asian Art in London celebrations.

The second-eleven sale that followed on from Christie’s main Islamic auction, was held in their South Kensington rooms on October 18, with 324 of its 417 lots changing hands, and saw the highest take-up of all the sales in this autumn’s series.

Chinese Snuff Bottles: A Guide to Addictive Miniatures by Trevor Cornforth and Dr Nathan Cheung ISBN 0764315919 £55hb. Published by Schiffer Books and distributed by Bushwood Books Ltd, 6 Marksbury Avenue, Kew Gardens, Surrey TW9 4JF. Tel: 020 8392 8585. email: bushwd@aol.com Postage and packing is free within the UK, £5.50 per surface mail order.

After the spectacular HK$37m (£3,394,495) price bid for the Yongzheng (1723-35) peach vase in Sotheby’s Hong Kong May 7 sale, their New York rooms had high hopes for this yellow ground famille rose double gourd vase, Qianlong period (1736-95), consigned by the same private US vendor, in their Chinese outing on September 19. They were not disappointed by the outcome.

Asian Biennale: Running alongside the main Biennale for six days last month and providing an alternative Asian focus to the glitter of French furniture, jewels and Art Deco at the Carrousel du Louvre was a new venture. The Biennale des Arts Asiatiques, organised by the Association des Specialistes d’Art Asiatiques, was a Salon of 22 specialist dealers set in a marquee at the other end of the Tuileries Gardens, which ran from September 21-25.

The extensive press coverage given over to the conflict in Afghanistan may have helped re-focus collectors’ attentions on the magnificent Gandharan sculpture produced in this troubled region in the second and third centuries AD.

Chinese Classic Furniture – The Dr S.Y. Yip Collection: It may come as a surprise to some to learn that the Ming dynasty’s minimalist huanghuali furniture has traditionally been more prized in the West than it has been in the East.

ASIAN dealers and collectors wishing to escape the grime of city life for more wholesome surrounds could have done worse than take a busman’s holiday to America’s pukka east coast resort of Cape Cod where Eldred’s (15% buyer’s premium), held their annual Asian series in East Dennis, from August 20-24. “In Cape Cod people combine their vacation with the sales,” explained Eldred’s press officer Jo Leal Clark.

WE are used to seeing one-piece, tabletsigned, Japanese ivories in good condition make anything from £800 up to several thousand pounds at auction. But somewhat more surprising, given the selective state of the general market, was the high selling rate of low-grade okimono, right, at the Clevedon Salerooms (15 per cent buyer’s premium) in Bristol on September 5.

ORIENTAL: A large, single-owner eclectic Oriental gathering ranging from Chinese jades and scholars’ objects to Contemporary paintings, Japanese lacquerwares and Burmese woodcarving went under the hammer at Bonhams’ Bond Street rooms on September 10.

ORIENTAL: A large, single-owner eclectic Oriental gathering ranging from Chinese jades and scholars’ objects to Contemporary paintings, Japanese lacquerwares and Burmese woodcarving went under the hammer at Bonhams’ Bond Street rooms on September 10.

PARIS: A new Paris fair dedicated to Asian Art gets under way later this month. Running from Saturday September 21 to Wednesday September 25, the inaugural Biennale des Arts Asiatiques is timed to coincide with the opening week of the French capital’s Biennale des Antiquaires and takes places at the Carré des Sangliers in the Jardin des Tuileries – just a stroll down the road from the Carrousel du Louvre, where Paris’s most celebrated and glamorous veteran fair is held.

The compact animal carvings of the Tomotada school are rightly thought of as the zenith of shashin netsuke, and this ivory buffalo and calf, right, by the Kyoto master (or one of his pupils) attracted strong bidding from US and London trade at Bonhams’dispersal of Branton Court.

A Chinese works of art sale held by Christie’s on June 18 included a set of S.W. Bushell’s Oriental Ceramic Art illustrated by Examples from the Collection of W.T. Walters, published in 10 volumes in 1897 and illustrated with 116 chromos by Louis Prang after J & J.C. Callowhill.

This vase may have come from relatively humble surroundings but the London trade had no doubt that it was fit for a king. The 18th century blue ground imperial vase, 133/4in (35cm) high, was offered at Bearne’s, Exeter on July 2.

Allen’s Authentication of Ancient Chinese Bronzes, by Anthony J. Allen, published by Allen’s Enterprises Ltd of Takapuna, Auckland, New Zealand, www.allens.antiques.com and distributed in the UK by David Aldous-Cook: Reference Books on Antiques, Sutton, Surrey. Tel/fax: 0208 642 4842. ISBN 0473080451 £60hb

Sotheby’s Olympia clinched the week’s loftiest price for an Asian work when a mighty £480,000 was placed by a Japanese telephone buyer probably bidding against the reserve for a complete set of Ando Hiroshige’s (1797-1858) 120 woodblock prints: The One Hundred Famous Views of Edo.

Christie’s King Street, may not have had their best ever sale but they did have the week’s most admired snuff bottle: a black and white jade inscribed example, signed Shixiang, 1740-1850.