Asian Art

GOOD-quality mahogany and oak furniture took most of the better prices in Mitchells' (15% buyer's premium) 1566-lot May 13-14 auction which totalled £325,000.

Pictured right is the highlight of what turned out to be London’s Asia Week’s most successful auction.

AN 18-strong offering of Chinese jades at Woolley & Wallis' (17.5% buyer's premium) May 25-26 sale, including this pale green, reticulated vase and cover, right, had emerged from an old South-of-England collection consigned via a fine art agent in Chichester.

Comprising 60 oban panels that form 20 triptychs, a concertina form, Senso-e album of c.1895 that sold for £3200 as part of a May 27 sale of original drawings and watercolours, prints and maps held by Bloomsbury Auctions is a record of events of the Sino-Japanese war of 1894-95 in which Japan’s modernised armed forces gained a swift and comparatively easy victory over the much larger Chinese forces.

Aurel Stein on the Silk Road, by Susan Whitfield, published by the British Museum Press. ISBN 0714124168 £18.99hb SIR Marc Aurel Stein, the 19th century Hungarian-born explorer, adventurer and archaeologist, sent home more than 40,000 cultural treasures from the wilds of Western China, making eight major expeditions along the Silk Road nearly a century ago and following in the footsteps of Alexander the Great and the 7th century Buddhist pilgrim monk Xuanzang.

SCATTERED amongst the colourfully decorated but fairly routine European-taste 18th century famille verte and famille rose bowls, plates and tea services that comprised the bulk of Christie’s King Street’s (19.5/12% buyer’s premium) 214-lot European collection of Chinese Export ceramics on May 11 was a handful of more unusual entries for which buyers paid a premium.

THERE is nothing like a modestly estimated, old English collection of Chinese art to lure London’s specialist trade to the provinces.

SOTHEBY’S Bond Street (20/12% buyer’s premium) took their first tentative step into the world of 20th century Asian art on May 6 with a 173-lot mixed-owner dispersal of Chinese, Japanese and Korean paintings, prints, posters, sculpture and ceramics on May 6.

INEVITABLY fairs dominate June in London but there is also much activity in the galleries and showrooms with dealers taking advantage of the influx of serious collectors and trade into the capital.

MAYFAIR dealers in things tribal, unusual and exotic, the Gordon Reece Gallery, are currently holding one of their periodic selling exhibitions of antique Chinese furniture at 16 Clifford Street, W1.

THE Orient provided the most eye-catching highlights at Rupert Toovey's (15% buyer's premium) March 17-19 sale, in the form of a set of four Japanese Satsuma plates signed by Kinkozan and an 18th century Chinese bamboo carving.

Islamic works of art have not just been wowing collectors in the auction rooms, the museum- and exhibition-going public have also plainly found it a big and topical attraction.

A SET of four late-18th century Japanese gold lacquered panels caused a flurry of international interest when they came up for sale at Rossini (19.94% buyer’s premium) back on April 2.

THERE were few exceptional entries at McTear's (15% buyer's premium) March 19 sale but take-up was steady with 88 per cent of the 473 lots getting away.

THE Bonhams empire has embraced the notion of niche markets in pragmatic fashion, each of the various outposts having its own speciality – while the Scottish branch, which sells across the range of the market, breaks its sales into single specialist offerings. On March 18 Bonhams Edinburgh (17.5/10% buyer’s premium) offered 375 pieces of jewellery and silver with the following day’s sale comprising 198 items of Asian art, ceramics and glass.

VOLUME sales have their value but the conscious decision of Cambridge auctioneers Cheffins (15% buyer's premium) to go for quality rather than quantity – relegating lower-end consignments to fortnightly general outings and keeping the best for five well-promoted annual sales – has proved a winning format.

THERE may be a long-established tradition of collecting Chinese ceramics and works of art in the West, but the highly specialist knowledge of the language and culture required to appreciate Chinese painting from anything more than a decorative point of view means most serious collectors and dealers are based in the Far East.

ONE of the most acclaimed exhibitions of the late March Asian Art Week in New York was London dealers’ Rossi & Rossi’s show Styles from the Steppes: Silk Costumes and Textiles from the Liao and Yuan Periods.

TWO albums of 19th century Chinese photographs assembled by a British diplomat sold for £5200 in a general antiques sale held by Sworders at Stansted Mountfitchet, on March 30.

FOR many collectors, the finest quality 18th century Qing dynasty mark and period porcelain is the holy grail of Chinese ceramics, but connoisseurs have long revered the understated aesthetic and classic simplicity of the Song dynasty’s (960-1279AD) monochrome glazed ceramics.