News

FOUNDED in 1876, The Fine Art Society at 148 New Bond Street is one of London’s oldest and most innovative galleries and it has chosen a fascinating theme for its next exhibition, which opens on March 23 when the gallery gets back to business after two months renovation.

Lyon & Turnbull’s 110-lot private collection did not just comprise Scottish silver, but also silver of Scottish interest. Among the more idiosyncratic elements in the catalogue was this allegorical Jacobite snuffbox, right.

Right: this 17th century stumpwork jewellery casket will be the highlight of the first sale of antique rugs and textiles at the Netherhampton Salerooms. The auction will be put together by the team responsible for the regular specialist sales at Woolley & Wallis – the only sales of their type outside London – that ended in February.

KIDSON-Trigg (15% buyer's premium) reported a healthy turnout for their 725-lot February 26 sale with steady interest for collectable ceramics such as Beswick and the better-quality furniture attracting a mixture of local and UK private and trade buyers.

THE rarest and probably the earliest piece of printing in a February 26 sale held by Pacific Book Auctions of San Francisco, the papal indulgence from Wynkyn de Worde’s press seen right, was bid to $13,000 (£6890), but there were some other early items in the collection of editions of Aesop’s Fables formed by the late Dr Margaret Rose Quentin that opened the auction.

Welsh Ceramics in Context: Part I, edited by Jonathan Gray, published by the Royal Institution of South Wales, Swansea Museum, Victoria Road, Swansea SAl lSN. ISBN 0950851752 £17.50sb. THIS well-illustrated book is based on the papers delivered to the first Welsh Ceramics in Context seminar held at Clyne Castle in 2002.

ESSEX organiser Robert Bailey is not a man easily daunted, which was fortunate when a week before his Cheshire Spring Antiques and Fine Art Fair at Tatton Park he was warned of major road closures for visitors using the M6 and the Manchester route M56.