News

THE long month of August may be a good time to relax, but for glass enthusiasts the end of the month offers the perfect chance to get the pulse racing once again.

PAINTINGS offered at Lyon & Turnbull’s (17.5% buyer's premium) July 21 Jordantone dispersal were mostly comfortable furnishing pictures of some quality including this uncharacteristic Joseph Farquharson oil, right, entitled Fisherwoman on a Deserted Sandy Beach. Very different from the artist’s trademark mix of sheep, heather and swirling snow, the 22in x 3ft (55x 91cm) image of a solitary figure walking barefoot on the shimmering sand went to a private buyer at £17,000.

PABLO Picasso’s Garçon à la pipe boosted Sotheby’s second quarter sales considerably, alone accounting for about 9.5 per cent of the total.

ON view at the Belgrave Gallery, St Ives, these two works by the late Sir Terry Frost represent a gap of some 60 years.

WHILE some painters, such as Jack Vettriano (b. 1954) and Royal Academician Ken Howard (b. 1932), seem to be able to sell their canvases almost before the paint has dried, many other artists are finding it a precarious market. Contemporary art might be the current buzz word, but it remains a fickle business, with buyers far too focused on seeking out the work of a few A-list names.

THE most sought-after and best-performing English factory amongst the more select gatherings of English wares at Sotheby’s Bond Street sale was undoubtedly Chelsea. The auctioneers had 16 lots to offer, mostly consigned from one collection and of the currently fashionable Red Anchor period botanical type either in their painted decoration or shape.

ENGLISH and Continental glassware was also a feature of Sotheby’s June and July ceramics sales. It accounted for just over 30 per cent of the more affordable Olympia offering, where around two-thirds of the 115 lots changed hands, and just under a fifth of their Bond Street sale where around half the 33 lots found buyers.