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Latest news from Antiques Trade Gazette, the leading specialist publication for the art and antiques market


Reynolds portrait of Omai faces export ban

06 January 2003

THE Tate Gallery has launched a campaign to raise £12.5m to acquire Sir Joshua Reynolds’ celebrated portrait of Omai, the South Sea Islander who took London Society by storm in the 18th century.

Sign up for conference

06 January 2003

Does the fine arts business warrant professional qualifications? What form should the education take? Should there be only one body representing the profession or several representing different aspects?

Barber to head up Bonhams’ West Coast operation and London

06 January 2003

BONHAMS will call their newly merged American company Bonhams and Butterfields from January 1 and are sending out group managing director Malcolm Barber from London to San Francisco to run it.

Art Fund grants mark start of centenary year

06 January 2003

THE National Arts Collection Fund have announced a raft of new grants to celebrate the start of their centenary year. First up is a grant of £33,000 towards the £132,000 needed by the Glasgow Museums to acquire Harry Clarke’s stained glass window depicting the Coronation of the Virgin.

Sotheby’s sell New York HQ to help clear debt

06 January 2003

Deal clears way for leaseback of building: Sotheby's will be able to clear up to $100m of debt – including their recent $20m European Commission fine – by selling their York Avenue headquarters in New York.

Vendor still intends to sue over cross, despite dispute between experts

06 January 2003

A VENDOR who believes an auctioneer’s negligence cost him hundreds of thousands of pounds says he will sue despite leading experts dismissing the disputed piece as a 20th century reproduction.

The ungnawn Beaver

06 January 2003

Coming up in Galashiels... The Yorkshire Arts and Crafts cabinetmaker Robert ‘Mouseman’ Thompson hardly needs an introduction. His distinctive adzed oak furniture, each piece relief-carved with a small mouse, proved so successful that a menagerie of imitators sprang up in the 1950s and ’60s.